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Pocket Museum: Ancient Egypt by Campbell Price is the fourth book of Thames & Hudson’s series Pocket Museum, preceded by volumes devoted respectively to ancient Rome, ancient Greece, and the Vikings. The book brings together nearly two hundred ancient Egyptian artifacts, spanning more than five thousand years (ca. 5300 BCE–395 CE), scattered in museum collections all over the world. The volume attempts to outline and reconstruct the history, system of beliefs, and social practices of ancient Egyptian civilization through the analysis of its material culture. The great potential of this volume lies in its innovative approach, based on the examination… Full Review

Peter Fane-Saunders’s book is an indispensable guide to the reception of Pliny’s Naturalis historia within the architectural theory and practice of Renaissance Italy. As a systematic exploration of antiquarian literature and treatises as well as drawn and built architecture, this volume aims to compensate for a chronic lack of attention to Pliny’s treatise (77–79 CE) by architectural historians, largely due to the dominant position occupied by another ancient authority, Vitruvius’s De architectura. Fane-Saunders gathers a broad corpus of excerpts, reuses, interpretations, and citations from a wide range of textual and visual sources referring to the Naturalis historia: from… Full Review

Organized at Cooper Hewitt, Smithsonian Design Museum, by Susan Brown, associate curator of textiles, and Jennifer Cohlman Bracchi, reference librarian, Saturated: The Allure and Science of Color showcased a broad range of objects, predominantly from the Smithsonian Institution’s impressive collections. Beginning with a selection of rare handbooks dating back to as early as the seventeenth century (e.g., Athanasius Kircher’s 1671 Ars Magna Lucis et Umbrae), the exhibition shed light on the long history of attempts to render and fix a definitive taxonomy of the visible spectrum—a sort of visual dictionary, or a guide for the impulses traveling between the… Full Review

In this meticulously researched and thoughtfully organized book, Moya Carey tells the story of the collection of art objects from Iran held at the Victoria and Albert Museum (V&A) in London. Established in 1857 and known as the South Kensington Museum until 1899, the V&A has a particular institutional character—its founding mission was to improve the quality of industrial production by engaging worldwide visual cultures—that turns this museum into an ideal case study for scrutinizing collecting activities in Europe and North America in the second half of the nineteenth century. The nature of the political relationship between Britain and Iran… Full Review

The exhibition Vermeer and the Masters of Genre Painting: Inspiration and Rivalry, on Vermeer and “other” Dutch genre painters of his era, was easily one of the most significant international events of last year. Conceived by Adriaan E. Waiboer of the National Gallery of Ireland and developed in close collaboration with two museum colleagues—Arthur K. Wheelock Jr. from the National Gallery of Art, Washington, DC, and Blaise Ducos from the Musée du Louvre in Paris—this project was widely received as a groundbreaking presentation of the intricate web of relationships among artists working in seventeenth-century Holland who looked at, emulated… Full Review

Published on the occasion of an exhibition of the same name, the catalogue I Too Sing America: The Harlem Renaissance at 100 offers its general and scholarly readership a biographically rich and visually remarkable book. The Columbus Museum of Art approached the established biographer of African American life and culture Wil Haygood with the opportunity to consider the lives of Harlem Renaissance visual artists, politicians, and authors through the organization of the show and his substantial contribution to the publication’s text. Readers also find art historical vignettes written by staff members of the Columbus Museum of Art dispersed throughout the… Full Review

The aim of Higher States, as explained in the preface, is “to be a richly illustrated resource on the first half of [Lawren] Harris’s abstract painting career within a transnational context,” and the essays by Roald Nasgaard and Gwendolyn Owens describe “the social, intellectual, and aesthetic milieu in which Harris immersed himself, in both Canada and the United States, from the mid to late 1920s up to and about the end of World War II.” In “Harris’s Modernity: The Engineering Draughtsman’s Instruments,” Nasgaard employs a variety of ways to describe, explain, and define Harris’s modernism. He outlines the artist’s… Full Review

Palm-size bronze figures of Buddhas and bodhisattvas from ancient Anuradhapura. Lion-shaped stone stair balustrades from the fourteenth century. Black-and-white photographs of tropical plants by colonial British photographers. A painted ivory comb decorated with a sword-wielding goddess. And a twenty-six-foot inflatable reclining Buddha made in California. These are just a handful of works from a special exhibition showcasing the art and culture of Sri Lanka at the Los Angeles County Museum of Art (LACMA), now on view until July 7, 2019. Titled The Jeweled Isle: Art from Sri Lanka, the show marks the first comprehensive survey of the… Full Review

In the 1950s Norman Bel Geddes drafted his autobiography, I Designed My Life. His story covered the entirety of his vast career in one million words. Miracle in the Evening, the edited version published in 1960 two years following his death, focused solely on Bel Geddes’s theater work, simplifying his legacy to only one area of design. But in fact, there was hardly an area of design that Bel Geddes did not influence. As his point of view oscillated between futurist and pragmatist, Bel Geddes earned the title of “the father of industrial design” due to the success… Full Review

For her exhibition Poorly Watched Girls at the Fabric Workshop and Museum in Philadelphia, Suzanne Bocanegra installed four artworks that repurpose numerous precedent works: Francis Poulenc’s 1956 opera Dialogues des Carmélites; Mark Robson’s 1967 film Valley of the Dolls; Jan Brueghel the Elder’s circa 1620 painting Flowers in a Ceramic Vase; Thomas P. McCarthy’s 1955 Guide to the Catholic Sisterhoods in the United States; Jean Dauberval’s 1789 ballet, La Fille mal gardée (The poorly watched girl); and Luigi Pampaloni’s sculpture Girl of the Turtledoves (Innocence) of 1831. Fangirl-like, Bocanegra decorates these precedents and their many mothers… Full Review