Recently Published Reviews

As ubiquitous in the ancient Maya world (encompassing modern-day Mexico, Guatemala, Belize, and parts of Honduras and El Salvador) as they are today, deer provided a core food source to ancient populations. The Maya developed a complex approach to deer remains and imagery as a result, varying from a focus on economic signifiers to mythological or political content or, given the multivalence of Maya objects, a combination of all three. This heritage lasted beyond the Spanish arrival in the sixteenth century; modern populations continue to demonstrate a rich, enduring ritual tradition (albeit one now also influenced by Catholicism) surrounding the… Full Review

FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Stephennie Mulder examines the impact of genocide on not just a people but also on their very cultural survival through the destruction of precious material artifacts. Read her review of The Missing Pages: The Modern Life of a Medieval Manuscript, from Genocide to Justice by Heghnar Zeitlian Watenpaugh. Full Review

FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. At a crucial juncture for museums and other institutions, we revisit the founding of the Smithsonian Museum of African American History and Culture. Read Deborah Ziska‘s review of A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump by Lonnie G. Bunch III. Full Review

Peter Schwenger’s new book is that vital and fateful thing: “a solid first map of a territory previously unknown to academic study,” as one of the prepublication blurbs puts it. “Solid” is uncharitable; “deft” is more just. But “first” is spot on, and the point about academic study correctly identifies the gap Schwenger sets out to fill as well as his target audience. Asemic: The Art of Writing is vital because it charts the rise of an extraordinary creative practice that came into its own in the late 1990s: writing that is “without meaning” but “not without significance” (17). Like… Full Review

FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Today, explore Chicanx civil rights history through the Autry Museum of the American West exhibition La Raza, reviewed by Mary Thomas. Full Review

Though published last fall, Among Others: Blackness at MoMA takes on strategic resonance in the current moment as individuals and institutions are called to rectify their approaches to race, representation, and decolonization. A product of Darby English’s six-year tenure as consulting curator at the Museum of Modern Art (MoMA), Among Others is a three-part publication that analyzes the museum’s tumultuous historical relationship with Black artists and Black audiences, its role in shaping the cultural politics of race, and the shortcomings of its collection, programs, and practices. As signaled by the title of the first essay, “Blackness at MoMA: A Legacy… Full Review

Printed sideways, Katherine Guinness’s cover image for Schizogenesis: The Art of Rosemarie Trockel immediately evokes the hypnotic and disorienting effects of Trockel’s art. What appear to be wide-eyed conjoined twins, women with distinctly late-1980s tousled hairstyles, stare out of the image. With one hand stalwartly posed on each hip, they are enclosed within a single, double-headed black sweater. Guinness uses this emblematic work by Trockel, Untitled (Schizo-Pullover) (1988), as her central node. From this knotty intersection she begins to unravel and reknit the entwined narratives of the German artist’s prolific practice. Guinness’s decision to begin here is savvy. She opens… Full Review

How does a revolutionary figure, an individual who demands fundamental and radical change in political organization, become the symbol of political order? And what is the impact of rebellion and authority coming together in a single visage? These questions framed my own investigations of Emiliano Zapata, general of the Southern Forces of the Mexican Revolution (1910–19), whose image has multiple and often oppositional meanings. Zapata, the most wanted revolutionary figure in Mexican history—someone labeled a barbarian and bandit during his lifetime—has become a global symbol of Mexico. Similarly, according to Maureen G. Shanahan and Ana María Reyes, editors of this… Full Review

It is generally assumed that a Chinese tomb was a private space of concealment, where the occupant would enjoy an idealized afterlife primarily concerned with personal welfare. In Modeling Peace: Royal Tombs and Political Ideology in Early China, however, Jie Shi presents the lavishly embellished royal tombs of the Western Han empire (206 BCE–8 CE) as public monuments that announced the ideological agendas of their elite owners. The book is structured around an in-depth case study of the renowned Mancheng tombs, where Liu Sheng (r. 154–113 BCE), the regent of the enfeoffed Zhongshan kingdom, and his wife, Dou… Full Review

FROM THE ARCHIVE: This summer, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Delve into Soul of a Nation: Art in the Age of Black Power, catalog for the monumental 2017–19 exhibition of the same name, with Adrienne L. Childs. Full Review

When, in 2013, the Oakland, California–based, employee-owned creative firm Design Action Collective was tasked by Black Lives Matter (BLM) organizers Alicia Garza, Patrisse Cullors, and Opal Tometi to create a visual identity for the incipient movement, the challenge was enormous. How to visually represent a movement that was an outgrowth of historic civil rights and progressive political protest movements? How to capture the energy and rage aimed at a fundamentally broken justice system, as well as instill hope for profound, systemic change? Daunting though the brief may have been, within three days Design Action Collective had produced a… Full Review

Hearts of Our People: Native Women Artists celebrates the works of North American Indigenous women throughout history and into the present. In selecting the 117 objects included in the exhibition, the curators, Jill Ahlberg Yohe and Teri Greeves (Kiowa), were determined to provide a comprehensive display that represented all geographical areas and a wide variety of media, from beadwork and basketry to video and performance art. They were guided by a team of native and nonnative artists, scholars, and curators, not only in selecting the works for the exhibition but also in ensuring that the narrative they presented challenged some… Full Review

FROM THE ARCHIVE: This summer, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Today we highlight Outcasts: Prejudice & Persecution in the Medieval World, a 2018 Getty exhibition reviewed by Patricia Blessing. Full Review

Fig. 1 “Dissertations in Progress,” Art Journal 22, no. 3 (Spring 1963): 168 (published under fair use) In spring 1963, Art Journal,1 published by the  College Art Association (CAA), featured a new section, entitled “Dissertations in Progress.”2 It was introduced by a brief caveat that described the list as “tentative and incomplete” while promising that it would be augmented in future issues (Fig. 1). At that time, the editors of the journal could not have foreseen that this particular feature, which included dissertations being written at only five universities,  would remain a persistent yet greatly… Full Review

Struck by lightning at his Philadelphia house in 1745, Benjamin Franklin’s friend Gilbert Tennent penned a sermon on God’s “Majestick Voice in the Thunder,” a warning to those disputing divine power over the wicked and the good. “Who can stand before this Holy Lord God,” Tennent wrote, “when once his Anger begins to burn?” Franklin himself was experimenting with electricity nearby, wielding rods and bells, harnessing invisibilities in less prophetic but equally noisy ways. The alternate poles of “enchantment or enlightenment” (ix), as Michael Gaudio’s brilliant new book argues, tacking between sensory deception and revelation, colored both men’s understanding of… Full Review