Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Ulrike Gehring and Peter Weibel, eds.
Munich: Hirmer, 2014. 512 pp.; 350 color ills. Cloth $75.00 (9783777422305)
Elizabeth A. Sutton
Chicago: University of Chicago Press, 2015. 184 pp.; 27 b/w ills. Cloth $50.00 (9780226254784)
The two books under review offer distinct takes on the way space was understood and reproduced in the Low Countries (the Dutch Republic, in particular, although both volumes explore Flemish sources as well). Both are concerned with the production of space in two-dimensional forms—in maps, prints, and paintings, above all. And while the arguments and claims made by the respective volumes are not quite mutually exclusive, the implications and trajectories they sketch out are markedly... Full Review
February 16, 2017
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Gordon Hughes
Chicago: University of Chicago Press, 2014. 169 pp.; 92 color ills.; 46 b/w ills. Cloth $45.00 (9780226159065)
I inevitably discuss Alfred Barr’s 1936 diagram from the cover of Cubism and Abstract Art when I teach surveys of modernism, but I had never noticed a curious point that Gordon Hughes raises in the introduction of his Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism. Of all the movements charted along the way to the two destinations, non-geometrical and geometrical abstract art, only Orphism “goes exactly nowhere” (3). In his sumptuously illustrated and... Full Review
February 16, 2017
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Gwendolyn DuBois Shaw and Richard J. Powell
Exh. cat. Philadelphia: Philadelphia Museum of Art, 2014. 224 pp. Cloth $42.00 (9780876332498)
Exhibition schedule: Philadelphia Museum of Art, Philadelphia, January 10–April 5, 2015
Represent: 200 Years of African American Art in the Philadelphia Museum of Art is that institution’s first survey of their collection of art by Americans of African descent. Each of the essays in the catalogue provides critical justifications for treating art and craftsmanship produced by African Americans as separate from a larger body of American art, while also noting the tenuousness of doing so. In the catalogue’s foreword, Philadelphia Museum of Art (PMA) Director and Chief... Full Review
February 14, 2017
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Rune Frederiksen, Elizabeth Gebhard, and Alexander Sokolicek, eds.
Monographs of the Danish Institute at Athens, Vol. 17. Aarhus, Denmark: Aarhus University Press, 2015. 468 pp.; 37 color ills.; 239 b/w ills. Cloth $70.00 (9788771243802)
Greek tragedy and comedy form a central strand of ancient life that we have inherited and made our own: ancient plays are still performed, still inspire new authorship, still inform us about ancient life; but they also established the very genres that continue in our operas, musicals, television, and film. By the end of the fourth-century BCE, any ambitious Greek city had a stone theater of some sort, and remains of ancient theaters are ubiquitous in Mediterranean landscapes. This handsome... Full Review
February 14, 2017
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Peter John Brownlee, Valéria Piccoli, and Georgiana Uhlyarik, eds.
Exh. cat. New Haven: Yale University Press, 2015. 280 pp.; 260 color ills. Cloth $65.00 (9780300211504)
Exhibition schedule: Art Gallery of Ontario, Toronto, June 20–October 20, 2015; Crystal Bridges Museum of American Art, Bentonville, AR, November 7, 2015–January 18, 2016; Pinacoteca do Estado de São Paulo, São Paulo, February 27–May 29, 2016
The global turn in art history is transforming the study of American art, whether that means the art of the United States or the art of the Americas. Since the turn of the millennium, an increasing number of exhibitions, publications, and symposia have been challenging the once-firm boundaries that isolated the Western hemisphere’s national art histories, emphasizing cross-cultural comparison, connection, friction, hybridity, and exchange. I am thinking of exhibitions such as Dennis Carr’s... Full Review
February 8, 2017
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