Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Edward H. Wouk, ed.
Exh. cat. Manchester: Manchester University Press, 2016. 240 pp.; 55 ills. Cloth £ 25.00 (9781526109569)
Exhibition schedule: The Whitworth, University of Manchester, UK, September 30, 2016–May 29, 2017
The exhibition Marcantonio Raimondi and Raphael celebrates the collaboration between the celebrated papal court painter Raphael Sanzio (1483–1520) and the lesser-known but respected Bolognese metal engraver and goldsmith Marcantonio Raimondi (ca. 1480–ca. 1534). Tracing the development of the close working partnership shared between artist and craftsman, the exhibition reveals how this unique relationship benefited both men in their chosen artistic fields. Marcantonio Raimondi... Full Review
October 13, 2017
Tara Zanardi
University Park: Penn State University Press, 2016. 264 pp.; 44 color ills.; 35 b/w ills. Cloth $94.95 (9780271067247)
Tara Zanardi’s Framing Majismo examines the cultural phenomenon of majismo, the eighteenth-century movement that defined Spanish types drawn from the urban lower classes. She emphasizes that majismo was a product of the Enlightenment as well as a xenophobic reaction to foreign influences, and argues that majismo imagery provides a view into the tensions between gender and class, as well as between tradition and modernity, in eighteenth-century Bourbon Spain. Zanardi brings... Full Review
October 13, 2017
Christopher R. Marshall
New Haven: Yale University Press, 2016. 352 pp.; 88 color ills.; 115 b/w ills. Cloth $75.00 (9780300174502)
Seventeenth-century Naples was the largest city in Italy, and the second largest in Europe after London. It was also home to a thriving school of painting, with homegrown artists such as Massimo Stanzione, Bernardo Cavallino, and Luca Giordano, as well as foreigners such as Caravaggio, Jusepe de Ribera, and Artemisia Gentileschi. Yet Neapolitan painting has been overshadowed by that of Bologna, Rome, or other schools of Italian painting. Although there has been no shortage of interest in... Full Review
October 13, 2017
Stephennie Mulder
Edinburgh Studies in Islamic Art. Edinburgh: Edinburgh University Press, 2014. 320 pp.; 121 color ills.; 21 b/w ills. Cloth £ 75.00 (9780748645794)
The topic of ‘Alid shrines in medieval Syria has an established scholarly framework of sectarian arguments. These include, on the one hand, a debate concerning the role of Shi’i doctrine in the proliferation of shrines from the tenth century onward, and on the other, bold statements concerning the culturally transformative impact of the so-called Sunni Revival from the eleventh century. In her introduction to The Shrines of the ‘Alids in Medieval Syria: Sunnis, Shi‘is and the Architecture... Full Review
October 13, 2017
John T. Hill and Heinz Liesbrock, eds.
Exh. cat. New York: Prestel, 2015. 408 pp.; 50 color ills.; 350 b/w ills. Cloth $85.00 (9783791382234)
Exhibition schedule: Josef Albers Museum Quadrat Bottrop, Germany, September 27, 2015–January 10, 2016; High Museum of Art, June 11–September 11, 2016; Vancouver Art Gallery, October 29, 2016–January 22, 2017
Walking into the Walker Evans: Depth of Field exhibition at the High Museum, one encountered three distinct gallery spaces that effectively chart the path of Walker Evans’s (1903–1975) career from his early work to his last images. Although his Farm Security Administration (FSA) photographs form the core of the exhibition—pictures that document the effect of the Great Depression across the United States and especially in the American South—the impact of Depth of Field is that it... Full Review
October 6, 2017