Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

McNay Art Museum, San Antonio, June 20–September 15, 2019
McNay Art Museum, San Antonio, June 20–September 15, 2019
McNay Art Museum, San Antonio, June 20–September 15, 2019

Across the United States, museums are eager to present identity-based shows addressing issues of gender, sexuality, and identity during the fiftieth-anniversary year of the 1969 Stonewall uprisings. This year, the McNay Art Museum dedicated its entire temporary exhibition program to such an effort, with Andy Warhol: Portraits, Transamerica/n: Gender, Identity, Appearance Today, and TransSanAntonian: Examining Trans Identities and Gender Fluidity in the Archives.... Full Review

November 15, 2019
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Thijs Weststeijn, Eric Jorink, and Frits Scholten, eds.
Netherlands Yearbook for History of Art. Leiden, the Netherlands: Brill, 2016. 296 pp.; 150 color ills. Cloth $154.00 (9789004334977)
Stephanie Schrader, ed.
Exh. cat. Los Angeles: J. Paul Getty Museum, 2018. 160 pp.; 138 color ills. Cloth $39.95 (9781606065525)
Getty Center, Los Angeles, March 13–June 24, 2018

“Is there such a thing as ‘global Netherlandish art’?” is the ambitious question with which Netherlandish Art in Its Global Context opens (7). A cohesive model of early modern art of the northern and southern provinces of the Netherlands is elusive to begin with, and the dimensions and significance of the global have been the subject of discussion within the humanities for decades now. If the question that informs this volume is unanswerable, the attempt is nonetheless... Full Review

November 14, 2019
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Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, eds.
Brill's Companions to European History. Leiden, the Netherlands and Boston: Brill, 2019. 656 pp.; 119 ills. Cloth $206.00 (9789004391963)

A Companion to Early Modern Rome brings together thirty new essays that together offer a fresh perspective on the politics, urbanism, art, and culture of Rome between 1492 and 1692. The volume is an outstanding summary of the state of research and a showcase for innovative work across a wide range of disciplines. Each essay presents a succinct and focused discussion, with an analysis of previous literature and a conclusion that outlines possibilities for future research.... Full Review

November 11, 2019
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Tate Britain, London, June 5–September 24, 2018

To celebrate the one-hundred-year anniversary of the World War I armistice, the show Aftermath: Art in the Wake of World War One at Tate Britain explored artistic responses to the physical and psychological scars left on Europe. German, British, and French artists produced the majority of the works on display in the show, and most of them had practiced in Berlin, London, and Paris. They produced the exhibited works between 1916 and 1932. The expression of trauma, as it was... Full Review

November 8, 2019
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Tracey R. Bashkoff
Exh. cat. New York: Solomon R. Guggenheim Museum, 2019. 244 pp.; 220 ills. Cloth $65.00 (9780892075430)
Solomon R. Guggenheim Museum, New York, October 12, 2018–April 23, 2019

The Solomon R. Guggenheim Museum’s exhibition of Swedish modern artist Hilma af Klint (1862–1944), Hilma af Klint: Paintings for the Future, was a long-overdue American showcase of af Klint’s innovations. Organized by Director of Collections and Senior Curator Tracey R. Bashkoff, Paintings for the Future notably highlighted the spiritualist beliefs that informed af Klint’s practice, as well as those of peers like Wassily Kandinsky and Piet Mondrian. Yet, while the show and... Full Review

November 6, 2019
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Heghnar Zeitlian Watenpaugh
Redwood City, CA: Stanford University Press, 2019. 436 pp.; 26 ills. Cloth $30.00 (9780804790444)

Genocide, that most horrific of crimes, does not leave untouched any fragment of human identity. Yet for genocide to succeed, it must not only extinguish individual human lives—it must erase all traces of the presence of a people, of a people’s identity. While we often focus on the human subject as victim of genocide, the vehemence with which cultural atrocities are perpetrated, and the chilling consistency with which they occur in tandem with the elimination of human lives, makes... Full Review

November 5, 2019
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Saloni Mathur and Kavita Singh, eds.
Visual and Media Histories. New Delhi: Routledge, 2015. 270 pp. Hardcover $140.00 (9781138796010)
Rebecca M. Brown
Seattle: University of Washington Press, 2017. 248 pp.; 20 color ills.; 70 b/w ills. Cloth $95.00 (9780295999944)

These two recent studies of museological and display histories in/of South Asia stand out in the fields of both art history and museum studies. The rather intriguing title of Saloni Mathur and Kavita Singh’s edited volume, No Touching, No Spitting, No Praying, is taken from a signboard at the entrance to an Indian museum that gives the code of conduct to which visitors are expected to adhere. Assumedly, the sign is intended for “unsophisticated” viewers whose everyday worlds... Full Review

November 1, 2019
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Macarena Gómez-Barris
American Studies Now: Critical Histories of the Present. Oakland: University of California Press, 2018. 160 pp. Paper $18.95 (9780520296671)

In the conclusion to Beyond the Pink Tide: Art and Political Undercurrents in the Americas, Macarena Gómez-Barris exhorts the reader to “look beyond electoral politics [of the nation-state] to strengthen already existing networks of possibility” (109). In this brief yet provocative study, she provides the reader with a model of analysis that shores up South-South linkages, privileges queer and indigenous perspectives, and denaturalizes national boundaries. Gómez-Barris champions the... Full Review

October 31, 2019
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Joanna Grabski
African Expressive Cultures. Bloomington: Indiana University Press, 2017. 328 pp.; 57 color ills. Paper $20.00 (9780253026057)

Art World City is a beautiful book. The photographs, most of which are by the author, are stunning, and all are in color thanks to support from the CAA Millard Meiss Publication Fund. In a book whose purpose is to situate a major international city and its artists into a complex... Full Review

October 30, 2019
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C. D. Dickerson III, Anthony Sigel, and Ian Wardropper
Exh. cat. New York: Metropolitan Museum of Art 432 pp.; 437 color ills.; 35 b/w ills. Cloth $65.00 (9780300185003)
Exhibition schedule: Metropolitan Museum of Art, New York, October 3, 2012–January 6, 2013; Kimbell Art Museum, Fort Worth, February 3–May 5, 2013

[See the multimedia media review on Scalar.]

Thanks to a generous grant from the Mellon-funded Alliance for Networking Visual Culture in 2013, caa.reviews was able to complete a pilot project using the Scalar multimedia digital platform to create a “book” permitting its readers to experience virtually the 2012–13 exhibition Bernini: Sculpting in Clay (in its... Full Review

October 25, 2019
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