Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Philipp Kaiser, ed.
Exh. cat. New York: Prestel, 2015. 152 pp.; 116 color ills. Cloth $39.95 (9783791354866)
Exhibition schedule: Brandywine River Museum of Art, Chadds Ford, PA, August 8–November 15, 2015
Visitors to the Brandywine River Museum of Art’s Things Beyond Resemblance: James Welling Photographs who are new to Welling’s work might be surprised to discover, on the basis of the visible evidence gathered, that this artist first came to public note associated with (if not quite trading in) an appropriative photographic language at pains to estrange itself from both photography’s claims to inspired worldly reference and the fruit of art-historical influence. Here that... Full Review
July 28, 2016
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Ian McLean, ed.
Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. 380 pp.; 67 b/w ills. Cloth £ 52.99 (9781443867436)
The situations debated and analyzed in Double Desire: Transculturation and Indigenous Contemporary Art, edited by Ian McLean, were familiar to me. I was scheduled to give a paper at the 2013 International Symposium on Electronic Art (ISEA) in Sydney on a white South African artist whose work comes from a genealogy of European/American minimalism and abstraction. After some discussion it was decided that my paper should be moved from the panel on experimental art to the panel for Latin... Full Review
July 28, 2016
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Peter Fuhring, Louis Marchesano, Rémi Mathis, and Vanessa Selbach, eds.
Exh. cat. Los Angeles and Paris: Getty Publications in association with Bibliothèque nationale de France , 2015. 344 pp.; 51 color ills.; 138 b/w ills. Cloth $80.00 (9781606064504)
Exhibition schedule: Getty Research Institute, Los Angeles, June 16–September 6, 2015; Bibliothèque nationale de France, November 2, 2015–January 31 2016 (under the title Images du Grand Siècle: l’estampe française sous Louis XIV, 1660–1715)
This review will examine the exhibition of French prints at the Getty Research Institute from June to September 2015, and its companion volume, A Kingdom of Images: French Prints in the Age of Louis XIV. There is some divergence between the contents of the exhibition and the book, which is not strictly speaking a catalogue: the grouping of subjects in the exhibition differs somewhat from the arrangement in the volume, while some images in the exhibition are not featured in the book,... Full Review
July 28, 2016
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Laura M. Giles, Lia Markey, and Claire Van Cleave
Exh. cat. Princeton: Princeton University Art Museum, 2014. 364 pp.; 370 color ills.; 40 b/w ills. Cloth $65.00 (9780300149326)
Exhibition schedule: Princeton University Art Museum, Princeton, January 25–May 11, 2014; Cantor Arts Center, Stanford University, Stanford, May 22–August 24, 2015
The tradition of university art museums forming excellent collections, which began in Europe with the Ashmolean and Fitzwilliam in England and Erlangen University in Germany, has flourished in the United States. Second only to the Harvard Art Museums, the Princeton collection of Italian drawings is of great importance, and in many respects is better than the majority of important civic museums. It includes some outstanding Renaissance drawings by Carpaccio, Michelangelo, Parmigianino, and... Full Review
July 28, 2016
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Nancy Hoffman, Frank Verputten, and Robbert Roos
Exh. cat. Amsterdam: KIT Publishers, 2012. 144 pp.; 76 color ills. Paper $35.00 (9789460222115)
Exhibition schedule: Kunsthal KAdE, Amersfoort, Netherlands, May 25–August 26, 2012
The eponymous catalogue to the exhibition Who More Sci-fi Than Us?: Contemporary Art from the Caribbean aims to examine the complexity of Caribbean art through the metaphor of science fiction. Curator of the exhibition and co-founding director until 2011 of the Instituto Buena Bista, Curacao Center for Contemporary Art in the Dutch Caribbean, Nancy Hoffman writes in the introduction that the logic of the Caribbean is perfectly captured in Junot Díaz’s The Brief and Wondrous Life of... Full Review
July 21, 2016
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