Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Exhibition schedule: Portland Art Museum, Portland, OR, July 23–November 13, 2016
Josh Kline: Freedom, curated by Sara Krajewski for the Portland Art Museum, is the title of the first work in a projected five-work cycle by the artist. Each will imagine a future that extends out from the present’s particular techno-economic landscapes. Less a single work than an evolving cluster of works, Freedom has been previously exhibited at the New Museum (2015) and Modern Art Oxford (2015). The Portland Art Museum show marks its completion (public conversation between... Full Review
July 26, 2017
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Shannen L. Hill
Minneapolis: University of Minnesota Press, 2015. 400 pp.; 26 color ills.; 93 b/w ills. Paper $29.95 (9780816676378)
The conviction and vitality with which Shannen L. Hill explores visual culture as an agent of change shaped by Black Consciousness (hereafter, BC) and embodied in ideas and images of its leading advocate, Stephen Biko, took me back to late 1980s South Africa when I, a bright-eyed freshman, optimistically threw myself into the student liberation movement at the University of the Witwatersrand in Johannesburg. There I and others designed, printed, and carried protest posters informed by an... Full Review
July 26, 2017
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Tom Nickson
University Park: Penn State University Press, 2015. 324 pp.; 60 color ills.; 80 b/w ills. Cloth $89.95 (9780271066455)
The title of Tom Nickson’s impressive and beautifully illustrated monograph, Toledo Cathedral: Building Histories in Medieval Castile, cleverly highlights the dual agenda of his ambitious study of the Spanish cathedral. As a book dedicated to a single work of architecture, it endeavors to untangle the complicated and often tacitly accepted building history of the cathedral’s construction from the early thirteenth through late fourteenth centuries. In so doing, Nickson reveals how the... Full Review
July 20, 2017
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Duncan Clarke
New York: Prestel, 2015. 272 pp.; 230 color ills. Cloth $75.00 (9783791381633)
Textiles are key to understanding the past. From sartorial practice to divisions of labor and patterns of trade, textiles serve as historical documents that often reveal as much about the people who produced and wore them as they do about those who collected, traded, copied, or admired them. African Textiles: The Karun Thakar Collection is a step toward documenting a significant private collection of textiles that shows potential for increasing our understanding of this important... Full Review
July 19, 2017
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Adam Pendleton
Exh. cat. Los Angeles and New Orleans: Siglio and Contemporary Art Center, 2016. 144 pp.; Many b/w ills. Paper $29.95 (9781938221132)
Exhibition schedule: Contemporary Arts Center, New Orleans, LA, April 1–June 16, 2016; Museum of Contemporary Art Denver, Denver, July 15–September 25, 2016; Museum of Contemporary Art, Cleveland, January 27–May 14, 2017
Installed in a city many consider ground zero for Black Lives Matter at a particularly volatile moment in U.S. race relations, Adam Pendleton: Becoming Imperceptible at the Contemporary Arts Center (CAC) in New Orleans is charged with a political urgency at odds with the artist’s restrained forms, prosaic typography, and cryptic citations. Yet the triumph—and challenge—of Pendleton’s language-based enquiries reside in their capacity to interrogate system and process as provocatively as... Full Review
July 19, 2017
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The third incarnation of the San Francisco Museum of Modern Art (SFMOMA) opened to great fanfare in May 2016. The new building more than doubles SFMOMA’s galleries, increases by over ten times the educational facilities, and multiples by four the spaces devoted to cinema and performance. Despite the expanded potential, reactions were mixed. Much of the criticism focused on the architecture, notably the rippling facade of fiberglass-reinforced polymer panels. The sheathing incorporates white... Full Review
July 18, 2017
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John Guy, ed.
Exh. cat. New York: Metropolitan Museum of Art, 2014. 336 pp.; 304 color ills.; 56 b/w ills. Cloth $65.00 (9780300204377)
Exhibition schedule: Metropolitan Museum of Art, New York, April 14–July 27, 2014
In spring 2014, the Metropolitan Museum of Art presented a groundbreaking exhibition of early Hindu and Buddhist artworks from Southeast Asia. Aptly titled Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, the exhibition brought together treasures from nearly thirty institutions and collections across nine different countries, many of which had never before traveled outside their country of origin. Carefully grouped, juxtaposed, and emplaced in the Metropolitan’s... Full Review
July 13, 2017
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Exhibition schedule: Museum of Contemporary Art, Los Angeles, March 12–July 11, 2016
“When you join an institution, you join its history as much as you work to create its future,” explained Museum of Contemporary Art, Los Angeles (MOCA), Chief Curator Helen Molesworth shortly after accepting the position in 2014. Since then, Molesworth has reinstalled the museum’s Grand Avenue galleries as The Art of Our Time (August 15, 2015–September 12, 2016). A revision of postwar art history, it began with the experimentalism of North Carolina’s Black Mountain College instead of... Full Review
July 12, 2017
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Stephen Sheehi
Princeton: Princeton University Press, 2016. 264 pp.; 100 b/w ills. Cloth $45.00 (9780691151328)
Stephen Sheehi’s The Arab Imago: A Social History of Portrait Photography, 1860–1910 focuses on the social history of indigenous photography in the Ottoman World between 1860 and 1910. The book redresses the lack of critical attention to local photography, analyzing the production, performance, exchange, circulation, and display of photography in Ottoman Egypt, Lebanon, and Palestine. Sheehi pursues in-depth research and analysis of both visual and written primary sources by local... Full Review
July 12, 2017
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Amara Solari
Austin: University of Texas Press, 2013. 244 pp.; 19 color ills.; 70 b/w ills. Cloth $55.00 (9780292744943)
When the Spanish mendicant orders built the first monastery complexes of the Yucatan Peninsula on top of extant pre-Columbian towns, temples, and ceremonial centers, one of their aims was to take possession of indigenous sacred space, appropriate its inherent sacredness, and reuse it to establish the Catholic faith in the New World. In Maya Ideologies of the Sacred: The Transfiguration of Space in Colonial Yucatan, Amara Solari examines the city of Itzmal in Yucatan as an example in... Full Review
July 7, 2017
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