Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Harwood Museum of Art, Taos, New Mexico, June 2–November 10, 2019

The Harwood Museum of Art of the University of New Mexico is the second oldest museum in the state, as reflected by its architecture. The entrance feels ecclesiastical, as you wind your way along the adobe walls and open the massive wooden blue doors, then you suddenly find yourself in a crowded gift shop, followed by a narrow corridor gallery. In 2019, Judy Chicago’s serigraphs lined those walls, with highly stylized images of a woman/earth mother giving birth to the cosmos. She is shown... Full Review

January 27, 2020
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Raphaela Platow and Lowery Stokes Sims, eds.
Exh. cat. New York: Rizzoli Electa, 2019. 252 pp.; 130 color ills. Cloth $66.00 (9780847866953)
Contemporary Arts Center, Cincinnati, September 20, 2019–January 12, 2020; Portland Art Museum, Oregon, February 15–May 17, 2020; Chicago Cultural Center, June 20–September 27, 2020; Akron Art Museum, Ohio, October 25, 2020–January 31, 2021; Sarasota Museum of Art, Florida, March–June 2021

The press release for the US Pavilion at the 1997 Venice Biennale described Robert Colescott (1925–2009) as “arguably the most important American figurative painter of his generation.” The qualifier, “arguably,” is significant, because since the 1990s few scholars have been making that argument. A lifelong teacher, Colescott didn’t begin to make a name for himself until 1971, at the age of forty-six, with outrageous, satirical paintings about race, sexuality, and power in art history and... Full Review

January 23, 2020
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Susan Laxton
Durham, NC: Duke University Press, 2019. 384 pp.; 16 color ills.; 154 b/w ills. Paper $27.95 (9781478003076)

In Surrealism at Play, Susan Laxton weaves an alternate history of Surrealism through the concept of play, a historically underacknowledged (yet, in her telling, constitutive) element of the movement. This is serious play: play as process not product, as action and experience. Play undergirds the Surrealists’ ambition not only to remake the art of making art but also to reform intersubjective relations and modern experience; it is a critical force available... Full Review

January 22, 2020
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Lori Boornazian Diel
Austin: University of Texas Press, 2018. 228 pp.; 82 color ills.; 35 b/w ills. Cloth $55.00 (9781477316733)

A curious pocket-size manuscript made in colonial Mexico, now in the collection of the Bibliothèque nationale de France, has long eluded synthetic assessment, for good reason: its diminutive size belies the complex, hybrid contents—over one hundred pages thick with information in various forms by different hands, previously dismissed as apparently miscellaneous. Recorded primarily in an Aztec pictorial system of writing around 1580, its seemingly incongruent sections engage a range of... Full Review

January 21, 2020
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Jenny Anger
Minneapolis: University of Minnesota Press, 2018. 320 pp.; 87 color ills.; 12 b/w ills. Cloth $120.00 (9781517903213)

Following up on her 2004 book on Paul Klee and the decorative in modern art (Cambridge University Press), Jenny Anger’s latest volume recounts the history of Herwarth Walden’s Der Sturm (1910–32), a Berlin-based cultural venture bringing together art, performance, theater, periodical publishing, teaching, and bookselling, thus continuing her exploration of an expansive notion of modernism that works against essentializing conceptions of the different arts. Simultaneously, the volume... Full Review

January 17, 2020
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J. Michael Padgett, ed.
Exh. cat. New Haven, CT: Yale University Press, 2017. 448 pp.; 348 color ills.; 18 b/w ills. Cloth $75.00 (9780300225938)
Princeton University Art Museum, Princeton, NJ, March 4–June 11, 2017; Toledo Museum of Art, Toledo, OH, July 8–October 1, 2017

This splendidly illustrated exhibition catalog is devoted to one particularly prominent Attic vase painter, the so-named Berlin Painter. Whereas an exhibition on one artist may still count as a logical choice by curators of an art museum, such a focus on the oeuvre of one individual has become highly unusual within scholarly approaches to Greek art and visual culture over recent decades. The catalog addresses both an art-museum public and scholars of Greek art and archaeology.... Full Review

January 16, 2020
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Malika Maskarinec
Evanston, IL: Northwestern University Press, 2018. 240 pp. Paper $34.95 (9780810137691)

As suggested by the title of her erudite and intellectually ambitious new book, Malika Maskarinec argues that form is a dynamic concept in modern German philosophical aesthetics. Using the art historian Heinrich Wölfflin’s notion of Formkraft as a critical lens, Maskarinec reads not only the aesthetic theories of Arthur Schopenhauer, Georg Simmel, Theodor Lipps, and Paul Klee but also the experimental writings of Franz Kafka and Alfred Döblin, in terms of a dynamic whereby... Full Review

January 14, 2020
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Felipe Pereda
Turnhout, Belgium: Brepols, 2018. 336 pp.; 118 color ills.; 11 b/w ills.; 336 ills. Cloth €60.00 (9781912554096)

Felipe Pereda’s study Crime and Illusion: The Art of Truth in the Spanish Golden Age offers the reader both an enlightening and a frustrating experience: enlightening in that it provides new insights into the contexts of an important group of Golden Age Spanish religious works, and frustrating due to the author’s repeated attempts to force his investigations into a difficult and ultimately unsustainable theoretical framework.

At the outset Pereda states that, instead of having... Full Review

January 10, 2020
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Dániel Margócsy, Mark Somos, and Stephen N. Joffe
Medieval and Early Modern Philosophy and Science, 28. Leiden, the Netherlands: Brill, 2018. 536 pp. Cloth £146.00 (9789004336292)

In spite of decades of scholarship on the history of the book in the age of print, the central mystery that plagues any given history of the book or a book remains the elusive nature of readers’ reception and interpretation of both words and pictures. While the works of Robert Darnton, Roger Chartier, Lisa Jardine, and Anthony Grafton have contributed substantially to the history of reading in Western Europe, there are many questions that remain about the nature of book... Full Review

January 9, 2020
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C/O Berlin, March 16–June 1, 2019

C/O Berlin, a nonprofit venue established in 2000 and solely dedicated to photography, celebrated Boris Mikhailov’s eightieth birthday with an exhibition of five series of photographs. Case History, I am not I, Suzi et cetera, Diary, and the most recent, Temptation of Death, cover his work since the 1960s, when Mikhailov, who worked as a train engineer in Kharkiv, Ukraine, began taking photographs. He is an autodidact whose early work depicts people he... Full Review

January 6, 2020
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