Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Stephen Sheehi
Princeton: Princeton University Press, 2016. 264 pp.; 100 b/w ills. Cloth $45.00 (9780691151328)
Stephen Sheehi’s The Arab Imago: A Social History of Portrait Photography, 1860–1910 focuses on the social history of indigenous photography in the Ottoman World between 1860 and 1910. The book redresses the lack of critical attention to local photography, analyzing the production, performance, exchange, circulation, and display of photography in Ottoman Egypt, Lebanon, and Palestine. Sheehi pursues in-depth research and analysis of both visual and written primary sources by local... Full Review
July 12, 2017
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Amara Solari
Austin: University of Texas Press, 2013. 244 pp.; 19 color ills.; 70 b/w ills. Cloth $55.00 (9780292744943)
When the Spanish mendicant orders built the first monastery complexes of the Yucatan Peninsula on top of extant pre-Columbian towns, temples, and ceremonial centers, one of their aims was to take possession of indigenous sacred space, appropriate its inherent sacredness, and reuse it to establish the Catholic faith in the New World. In Maya Ideologies of the Sacred: The Transfiguration of Space in Colonial Yucatan, Amara Solari examines the city of Itzmal in Yucatan as an example in... Full Review
July 7, 2017
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Jennifer Tyburczy
Chicago: University of Chicago Press, 2016. 296 pp.; 27 b/w ills. Paper $37.50 (9780226315249)
I have been carrying around Jennifer Tyburczy’s Sex Museums: The Politics and Performance of Display for months now, and have received, understandably, quite some attention for it. I have been reading it on my morning commute to work on the train, sitting in cafes and parks with it, and, most notably, have been often seen with it at work, much to the amusement of my students. Not only do people have a lot to say about the title, but the cover image furthers the book’s seductive allure.... Full Review
July 6, 2017
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Sedat Pakay, Kathryn Hubbard, and Barbara Earl Thomas
Exh. cat. Seattle: Northwest African American Museum, 2012. 48 pp.; 35 ills. Paper $19.95 (9780295992105)
James Baldwin in Turkey: Bearing Witness from Another Place is based on nearly thirty images of James Baldwin by Sedat Pakay, a renowned photographer and documentary filmmaker who first met Baldwin when Pakay was a young student at Robert College (now part of Boğaziçi University) in Istanbul. The photographs were originally showcased in an exhibition at the Northwest African American Museum in Seattle in 2012. The collection comprises a foreword, several essays by novelists,... Full Review
June 29, 2017
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Megan E. O'Neil
Norman: University of Oklahoma Press, 2012. 274 pp.; 10 color ills.; 123 b/w ills. Cloth $55.00 (9780806142579)
Alexander Parmington
New York: Cambridge University Press, 2011. 288 pp.; 115 b/w ills. Cloth $110.00 (9781107002340)
Megan E. O’Neil’s Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala and Alexander Parmington’s Space and Sculpture in the Classic Maya City introduce elements of time and space in discussing how Maya art and architecture operated and expressed meaning. Both scholars take up the topic of the built environment during the Late Classic Period (seventh to ninth century CE) and anchor their analyses to sites near the Usumacinta River (O’Neil studies Piedras Negras in Petén,... Full Review
June 28, 2017
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Christine Göttler, Bart Ramakers, and Joanna Woodall, eds.
Netherlands Yearbook for History of Art, 64. Leiden: Brill, 2014. 400 pp.; 180 color ills. Cloth $157.00 (9789004272156)
Nadia Baadj
(Studies in Baroque Art) (Dutch Edition). Turnhout: Brepols, 2015. 208 pp.; 52 color ills.; 50 b/w ills. Cloth $150.00 (9781909400238)
The history of art in early modern Europe would be unthinkable without Antwerp. And yet until quite recently, Antwerp was a place that nobody talked much about. Scholarship on the southern Netherlandish city (now part of Belgium) long remained the province of local historians, the indefatigable Floris Prims notable among them. And while first Pieter Paul Rubens and then Pieter Bruegel the Elder met with increasing art-historical interest following Belgium’s assertion of independence in 1830,... Full Review
June 28, 2017
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Delinda Collier
Minneapolis: University of Minnesota Press, 2016. 264 pp.; 37 b/w ills. Paper $25.00 (9780816694488 )
The topic of remediation has recently come to the forefront of academic study across disciplines ranging from TED talks to symposia merging African art and media studies. It is within this vein that Delinda Collier examines the complexities of remediation in both form and content in Repainting the Walls of Lunda: Information Colonialism and Angolan Art. The text centers its discussion of the varied intricacies of analog and digital media by tracking Chokwe mural and sand (sona)... Full Review
June 23, 2017
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Malcolm Bull
Princeton: Princeton University Press, 2013. 160 pp.; 31 b/w ills. Cloth $24.95 (9780691138848)
What is the truth in painting, and what is truth in reality? Revolving around the learned Giambattista Vico (1668–1744), Malcolm Bull’s Inventing Falsehood, Making Truth: Vico and Neapolitan Painting brings us to Naples in the early eighteenth century, offering an analysis of painting and art theory in correlation with the philosophical concepts and insights of Vico’s work on these matters. Vico was educated in rhetoric and law and taught as a professor of rhetoric while writing a... Full Review
June 22, 2017
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Giancarla Periti
New Haven: Yale University Press, 2016. 304 pp.; 100 color ills.; 110 b/w ills. Cloth $75.00 (9780300214239)
This book about aristocratic nuns and convent patronage offers an interesting characterization of a resulting corpus of “seductive images” of “profane subjects and sensuous forms” in the context of what Giancarla Periti calls “courtly conventual culture” (1). The idea of the courtly convent interior is a clever one, and it certainly provides a touchstone for investigations into patrician nuns, their motivations, their artists, and the visual and perhaps didactic functions of such imagery in... Full Review
June 21, 2017
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Marnin Young
New Haven: Yale University Press, 2015. 272 pp.; 60 color ills.; 75 b/w ills. Cloth $75.00 (9780300208320)
In Realism in the Age of Impressionism: Painting and the Politics of Time, Marnin Young provides an original, compelling argument about how transformations in the perception of temporality fueled a reengagement with Realist painting in France during the late 1870s and 1880s. He charts a range of ways in which time was newly conceptualized in this period, including the move from pre-modern natural cycles to the measured clock of the modern workday; the invention of photographic... Full Review
June 14, 2017
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