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FROM THE ARCHIVE: This summer, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Today’s highlight is Otherwise: Imagining Queer Feminist Art Histories by Amelia Jones and Erin Silver, reviewed by Alison Syme. Full Review

FROM THE ARCHIVE: This summer, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Today we spotlight Kate Flint’s discussion of The Tiger in the Smoke: Art and Culture in Post-War Britain by Lynda Nead. Full Review

FROM THE ARCHIVE: This summer, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. First up, Erin Silver considers Exist Otherwise: The Life and Works of Claude Cahun by Jennifer L. Shaw. Full Review

A current and valuable effort in art history is the examination of a well-known topic with greater attention to the contributions of women and other marginalized individuals. This expansion of familiar narratives is grounded not in rewriting historical facts but in rehabilitating figures—whether they be artists, gallery owners, curators, or collectors—who have been largely or even entirely overlooked, not only to shed light on their accomplishments but also to establish a broader understanding of a moment in time, which allows for a deeper historical account. Christina Weyl’s book The Women of Atelier 17, focused on women artists working at… Full Review

In this monograph, Halle O’Neal investigates a genre of Buddhist painting known as “jeweled pagoda mandalas” (kinji hōtō mandara; hereafter JPM), which was popular in Japan during the twelfth and thirteenth centuries. Three full sets and a few lone examples separated from their original sets remain. At the center of these vertical compositions on indigo-dyed paper, a multistory pagoda appears surrounded by narrative vignettes from a popular sutra. The central pagoda is constructed from a transcription in gold of the very sutra that the painting features in the surrounding vignettes, in some cases with further embellishment in… Full Review

Reading any book of art history inevitably involves looking back into at least two different periods of history: the one that produced the art discussed in the book and the one that produced the book itself. In reading a newly published book, one often assumes that it was written in something like the present. In reading the book under consideration here, however, I found that even the recent past seemed very distant. When the original French edition of this book appeared in 2013, Notre-Dame in Paris was being visited by vast crowds every day, and authors Dany Sandron and Andrew… Full Review

Jennifer A. Pruitt’s Building the Caliphate explores the Fatimids’ architectural patronage. Followers of the Ismaili subbranch of Shi‘ism, the Fatimids (909–1171) established the first dissident caliphate against the Sunni Abbasid caliphate of Baghdad (751–1258). Originating in North Africa, they conquered Egypt in 969, where they built their new capital, Cairo. They envisaged overthrowing the Abbasids, but the Seljuks ruling on the latter’s behalf put an end to that project. Egypt consequently became the permanent center of Fatimid rule. Architecture was instrumental to the construction of this rule and to the dynasty’s political-religious visual representation in the region’s traditionally Sunni context… Full Review

Located in northern China, Mount Wutai, or the Five-Terrace Mountain, is the earthly paradise of the bodhisattva Mañjuśrī, commonly known as the Mahāyāna Buddhist deity of wisdom. Since the seventh century, pilgrims have encountered various apparitions of Mañjuśrī on this mountain. Not until the publication of Wen-shing Chou’s book Mount Wutai: Visions of a Sacred Buddhist Mountain did it become clear that Mount Wutai was also a key site in Inner Asian tantric Buddhist practices and lineages associated with the Gelukpa traditions that the Manchu court promoted during the Qing dynasty (1644–1911). Indeed, Chou’s well-researched and finely illustrated monograph presents… Full Review

The aim of Nathaniel B. Jones’s book Painting, Ethics, and Aesthetics in Rome is to reconsider the nature of Roman wall painting by focusing on the “paintings within paintings,” or “fictive panels,” as Jones prefers to label them, that are a dominant feature of the medium. By doing so, the plan is to shed light both on the nature of Roman aesthetics and on the practical and metaphorical roles that art, particularly Greek art, played in Roman life (the “ethics” part of the title). Central to the investigation is configuring the point of the Greek nature of these panels, not… Full Review

Rebecca Bedell’s splendid book about the central place of sentimentality in American art from the revolutionary era to the First World War seems surprisingly timely in the age of social distancing. For “sentimentality,” as Bedell defines this deeply modern but much maligned pattern of feeling, “asks us to conceive of ourselves in relation to others, to imagine ourselves in their place and to feel for them, in some measure, as for ourselves, recognizing a common and shared humanity” (4). At a time when we are constantly enjoined to wash our hands after coming in contact with others, sentimentality, or whatever… Full Review