Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Jane L. Carroll and Alison G. Stewart, eds.
Burlington, Vt.: Ashgate, 2003. 298 pp.; 85 b/w ills. Cloth $120.00 (0754605892)
The title of this stimulating collection of essays points to one of its important contributions. The very structure of Saints, Sinners, and Sisters rejects the bipolar evaluation of women that has been so pervasive in Western culture. While two sections of the book are devoted to consideration of women as either “Saints” or “Sinners,” the third section is concerned with “Sisters, Wives, Poets.” The whole collection reminds us of the multiplicity of roles that women played in medieval and early modern Europe, even as they do today. The editors, Jane Carroll and Alison Stewart, have selected essays that demonstrate how… Full Review
November 9, 2005
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Michael B. Cosmopoulos, ed.
New York: Cambridge University Press, 2005. 232 pp.; 139 b/w ills. Cloth $90.00 (0521836735)
Some things never go out of style. One of those is Parthenon scholarship; a year does not pass without the appearance of books and articles devoted to this most venerable of Greek monuments. One would think that there are no more questions to be asked, no more answers to be proposed, but this is decidedly not the case. The Acropolis restoration project alone, active since the 1970s and spearheaded by Manolis Korres, constantly brings new information to light, to say nothing of new methodologies and technologies that inspire one to look at the familiar in new ways. … Full Review
November 8, 2005
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Hollis Clayson
Chicago: University of Chicago Press, 2002. 472 pp.; 36 color ills.; 181 b/w ills. Cloth $70.00 (0226109518)
France’s defeat by Prussia in 1870, closely followed by an agonizing civil insurrection, led to the christening of that period as the country’s année terrible. While 1870–71 marks a crisp line for historians between the Second Empire and the Third Republic, the events of the Prussian siege of Paris from September 1870 to January 1871 have not been interrogated for their art-historical significance. Hollis Clayson’s groundbreaking work, Paris in Despair: Art and Everyday Life under Siege (1870–1871), provides just such an interrogation. Clayson seeks to complicate social art histories that read artists only as “exemplars of a collectivity… Full Review
November 7, 2005
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Edward S. Casey
Minneapolis: University of Minnesota Press, 2002. 392 pp.; 16 color ills.; 52 b/w ills. Paper $30.00 (0816637156)
The intersection of space and place occurs on shifting sands at the borders of philosophy and aesthetics. This is not to suggest a lack of clarity about either way of knowing, but to make a claim about the fuzziness of the epistemological boundaries that the debate about space and place must necessarily engage. Edward Casey’s book Representing Place situates itself within the din of geographers, anthropologists, sociologists, architects, and philosophers rallying under the postmodern banner of place over space. For some time now his work has entered the fray. This, the third in a trilogy of books that includes Getting… Full Review
October 27, 2005
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André Lortie, ed.
Exh. cat. Montreal: Canadian Centre for Architecture in association with Douglas & McIntyre Publishing Group, 2004. 216 pp.; 252 ills. Paper Can55.00 (1553650751)
The 60s: Montreal Thinks Big is the catalogue accompanying an exhibition of the same name, which was on view at the Canadian Centre for Architecture (CCA) in Montreal from October 2004 to September 2005. The catalogue presents a new study of a significant period of change in a major North American city. Like other CCA catalogues, it is a carefully produced book with high-quality illustrations. It includes a fascinating collection of visual material, and the essays are valuable contributions to the literature on architecture and urban planning in the 1960s, as well as to scholarship on Montreal. The project focuses… Full Review
October 26, 2005
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Toni Stooss, ed.
Dusseldorf: Richter Verlag, 2004. 1008 pp.; 455 color ills.; 485 b/w ills. Cloth $175.00 (393380728X)
This deluxe two-volume boxed set is a catalogue raisonné documenting Ilya Kabakov’s important and influential work as an installation artist. Yet in keeping with the current practice of institutional critique, which turns every corner of the institution of art into an exhibition space in order to make those corners visible in a new way, it is much more. Included are descriptions of 155 installations executed between 1983 and 2000, along with preparatory drawings, installation photographs, and information about the exhibitions in which they appeared and the museums that own them. The bulk of the book consists of extensive commentaries by… Full Review
October 25, 2005
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Susan Groag Bell
Berkeley: University of California Press, 2004. 271 pp.; 8 color ills.; 17 b/w ills. Cloth $45.00 (0520234103)
Author Christine de Pizan (c. 1364–c. 1430) is no longer the obscure figure she was three decades ago when Susan Groag Bell began her research for The Lost Tapestries of the ‘City of Ladies’: Christine de Pizan’s Renaissance Legacy. Indeed, although Christine’s texts were widely commissioned for court libraries in fifteenth-century Europe, by the middle of the sixteenth century they had already fallen out of favor. Not until feminist scholars of the early 1980s began to uncover and mine a larger body of evidence for medieval women as writers, readers, patrons, and interpreters of literature was Christine propelled back… Full Review
October 19, 2005
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Tryna Lyons
Bloomington and Ahmedabad, India: Indiana University Press in association with Mapin Publications, 2004. 360 pp.; 88 color ills.; 163 b/w ills. Cloth $60.00 (0253344174)
Tryna Lyons’s The Artists of Nathadwara vividly renders a community of traditional painters. It brings to life a profession that the field of South Asian art studies has tended to sidestep in its focus on objects. Early in the last century, Ananda Coomaraswamy created a vision of the artist as an anonymous yogin, meditating on internalized canons to make his imagery. It was a romantic ideal that still makes itself felt, even though a number of scholars of South Asian art have since turned their attention to individual artists, using inscriptions and archival data to discover information on real… Full Review
October 18, 2005
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Mari Carmen Ramírez and Héctor Olea
Exh. cat. New Haven: Yale University Press in association with Museum of Fine Arts, Houston, 2004. 608 pp.; 300 color ills.; 225 b/w ills. Cloth (0300102690)
The Museum of Fine Arts, Houston, June 20–September 12, 2004
The exhibition catalogue Inverted Utopias: Avant-Garde Art in Latin America by Mari Carmen Ramírez and Héctor Olea seeks simultaneously to remedy faulty perceptions of the modern art of Latin America and to revolutionize the writing of its history. Focusing on two periods of heightened aesthetic inquiry—the 1920s and 1930s, and the decades immediately following the Second World War—it is required reading for anyone concerned with the art produced in this vast region or with twentieth-century art in general The title of the award-winning exhibition invokes the famous drawing published in 1936 by Joaquín Torres-García in which he inverted the map… Full Review
October 5, 2005
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Kees Zandvliet
Exh. cat. Zwolle, Netherlands: Waanders Uitgevers, 2004. 464 pp.; 245 color ills.; 50 b/w ills. €29.95 (9040087172)
Rijksmuseum, Amsterdam, October 10, 2002–February 9, 2003
“Encounter”—the operative word, to my mind, of the title under review—has transformed, in a relatively brief period of time, from a strikingly innovative and promising concept to a somewhat enigmatic, if not altogether elusive, scholarly term of choice, which is increasingly, perhaps even blandly, invoked to describe the meeting between Europe and the wider world in the early modern period. Which is to say, the relatively fresh field of “encounter studies” is already—don’t blink!—ripe for revision. A bit of backstory: The study of Europe’s engagement with the non-European world—particularly during the pivotal moment of global expansion… Full Review
June 29, 2005
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