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SubUrban: Tam Van Tran features the paintings and “sculptural drawings” of Tam Van Tran, a Vietnamese-born, Los Angeles–based artist who combines organic substances such as chlorophyll, spirulina algae, and beet juice with acrylic paint, canvas, paper, Wite-out liquid, foil, and metal staples. The exhibition is the latest in the Knoxville Museum of Art’s ongoing program, the SubUrban series, which serves as the first solo museum show and catalogue in the United States for emerging contemporary artists. Tran has participated in group and solo exhibitions since 1999, including the 2004 Whitney Biennial, and he was selected for participation in the series… Full Review

René Magritte’s art has attracted much attention in the past few years. Following 1999’s Magritte in Edinburgh, Scotland, and Humlebaek, Denmark, and the monumental exhibition in the Jeu de Paume in Paris in 2003, a new series of Magritte exhibitions attempts to place the Belgian artist into the spotlight of public interest, responding to new developments in art theory and to new ways of thinking about Surrealism. René Magritte: Der Schlüssel der Träume (The Key of Dreams), the first-ever retrospective of Magritte’s art in Austria, presents more than seventy of his paintings and is staged concurrently with the… Full Review

A strong interest in the ancient Olympics on the part of both scholars and the general public has led several museums abroad to mount exhibitions exploring the artistic and archaeological evidence for Greek sports. The return of the Olympics to Greece in summer 2004 provided the impetus for the Museum of Fine Arts, Boston (MFA), to present Games for the Gods: The Greek Athlete and the Olympic Spirit, the first exhibition in the United States to rival shows such as Mind and Body: Athletic Contests in Ancient Greece at the National Archaeological Museum in Athens, Greece, in 1989 or… Full Review

Turks: A Journey of a Thousand Years, 600–1600 is an ambitious and highly informative exhibition. With 376 items on display from 53 lending institutions—such is the wealth of material that it is hard to believe it took barely fifteen months to assemble—the show constitutes an important part of a program of all things Turkish in London. The aim is to unravel the cultural origins of the Ottomans (or the Turks, as Ottomans were commonly known in the West), but soon it becomes clear that this is no easy task. Thus Turks skillfully unfolds before our eyes as the widest possible… Full Review

A mysterious illness spread throughout the United States following the end of the Civil War. Symptoms varied from person to person but generally included diminished powers of concentration, decreased appetite, and overall decline in the level of physical energy. The Boston medical doctor George Beard identified the disease as neurasthenia, or nervous exhaustion, in 1869 and attributed its sudden appearance to rapid urbanization and industrialization. In the decades following Beard’s diagnosis, the American medical establishment refined the list of symptoms associated with neurasthenia and established a variety of treatments for it, from patent medicines to bedrest to vigorous exercise. Although… Full Review

The medallions on the monumental facade of the Metropolitan Museum of Art contain the names of, among other great artists, Rembrandt and Diego Velázquez. But if one looks for the name of the greatest master of the Flemish Baroque, Peter Paul Rubens, one will have searched in vain. Although Ruben’s paintings, oil sketches, and drawings lay within reach of the most important American collectors of the late nineteenth and early twentieth centuries, they apparently avoided buying them. For example, Rubens is the only major seventeenth-century painter whose work is not represented in the Frick Collection in New York. This seems… Full Review