Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Browse Recent Exhibition Reviews

Holly Flora
Exh. cat. New York: The Frick Collection, 2006. 52 pp.; 42 color ills.; 1 b/w ills. $15.95 (001912114339)
Exhibition schedule: Frick Collection, New York, October 3–December 31, 2006
Over the last few years, our knowledge of Tuscan painting in the late duecento has expanded considerably. In Siena, the recent unveiling of frescoes in the crypt of the cathedral has challenged our assumptions about late medieval Italian art. Previously unknown panel paintings have come to light as well, among them a dazzling small panel of the Enthroned Virgin and Child, recently acquired from a private collection by the National Gallery in London, and attributed to Cimabue by the National Gallery’s curator of early Italian art, Dillian Gordon. Gordon went on to associate the new acquisition with the closely related… Full Review
April 17, 2007
Exhibition schedule: September 4–November 12, 2006
What if every new biennale mattered? Take Belief, for instance, the inaugural Singapore effort, which opened in September 2006. Headed by Fumio Nanjo, the new director of Tokyo’s Mori Art Museum, Belief was curated by Nanjo and his three appointees: Roger McDonald, deputy director of Arts Initiative Tokyo; Sharmini Pereira, an independent curator based in London and Sri Lanka, and founder of Raking Leaves publishing; and Eugene Tan, director of the Institute of Contemporary Arts Singapore. The show was installed in over sixteen venues across town: from the National Museum to mosques, churches, and temples, from the defunct Tanglin… Full Review
April 12, 2007
Richard Armstrong
Exh. cat. Ghent, Belgium and Los Angeles: Ludion and Los Angeles County Museum of Art, 2006. 256 pp.; 250 color ills.; 50 b/w ills. Cloth $60.00 (9055446211)
Exhibition schedule: Los Angeles County Museum of Art, November 19, 2006–March 4, 2007
Magritte and Contemporary Art: The Treachery of Images. Essays by Richard Armstrong, Stephanie Barron, Roberta Bernstein, Sara Cochran, Michel Draguet, Thierry de Duve, Pepe Karmel, Theresa Papanikolas, Noëllie Roussel, Dickran Tashjian, Lynn Zelevansky. Ghent and Los Angeles: Ludion and Los Angeles County Museum of Art, 2006. 256 pp; 250 color ills.; 50 b/w ills. $60.00 (cloth) (9055446211) The impetus behind the exhibition Magritte and Contemporary Art: The Treachery of Images at the Los Angeles County Museum of Art is the presence in the permanent collection of an iconic modernist painting, The Treachery of Images (1929), better known… Full Review
April 12, 2007
Exhibition schedule: Tokyo Opera City Art Gallery, Tokyo, Japan, October 7–December 24, 2006; Sendai Mediatheque, Sendai, Japan, April 13–May 19, 2007; Museum of Modern Art, Hayama, Japan, June 9–September 2, 2007. The show is expected to be offered at the University of California, Berkeley, in 2008, probably in a modified form.
In Japan, Toyo Ito (born 1941) is considered one of the most important figures in post-War Japanese architecture. Based in Tokyo, he has valued both theory and practice, and has used each of them to perceptively articulate the implications of social change. In the 1970s, Ito reflected Japan’s technological enthusiasm, originally calling his firm URBOT, an abbreviation of “Urban Robot.” His work of this period ultimately culminated in Silver Hut, a high-tech aluminum home for his family, where windows were cranked shut by the kind of mechanisms found in automobiles of the time and people sat on airy, expanded-metal chairs… Full Review
February 6, 2007
Exhibition schedule: Museum of Fine Arts, Boston, January 27–December 31, 2006
It is unusual but probably auspicious for an exhibition to last from January to December, as Tradition and Transformation: Japanese Art 1860–1940 does. Presenting visually compelling images and well-documented histories, the exhibition offers a revealing glimpse into the formative decades of Japan’s emergence as a modernizing nation. The Museum of Fine Arts’ collecting of Japanese art can be traced back to the late nineteenth century, and is deeply indebted to the insight and generosity of a group of Bostonians, including Edward Sylvester Morse, Ernest Francisco Fenollosa, William Sturgis Bigelow, Charles Goddard Weld, and Deman Waldo Ross, all of whom traveled… Full Review
January 30, 2007
Sponsored by Creative Time. Exhibition schedule: 529 Atlantic Avenue, Brooklyn, New York, October 1–December 10, 2006

Chicago-based artist Michael Rakowitz navigates the unstable border between art and life. Among his well-known interventions are the ongoing paraSITE series in which he collaborates with urban homeless to design portable housing shelters that can be hooked up to a building’s exterior ventilation system (a working example was included in MoMA’s 2005 exhibition Safe: Design Takes on Risk) and 2001’s Rise, in which Rakowitz extended a duct from a nearby Chinese bakery into an exhibition space on New York’s Lafayette Street. His current project—a functioning store and import/export business located at 529 Atlantic Avenue in Brooklyn—is his most… Full Review
January 29, 2007
Exhibition schedule: Norwich Gallery, Norwich School of Art and Design, Norwich, England, July 8–August 9, 2006
EAST International, the open-submission exhibition that takes place annually in and around Norwich School of Art and Design, displayed its well-earned self-confidence in 2006, when programming material boasted that, “The trust of artists in the democratic structure of an open exhibition has enabled EAST to become an annual challenge to the expertise of the contemporary art establishment. Not a bad achievement for a small art school gallery in a provincial city.” Perhaps to find this challenge we should look to such galleries in such cities detached from London’s monolithic art establishment (Norwich is in the historic capital of the… Full Review
January 25, 2007
Bruno Chenique and Sylvie Ramond, eds.
Exh. cat. Paris: Éditions Hazan, 2007. 240 pp.; 173 color ills.; 38 b/w ills. Paper €35.00 (2754100989)
Exhibition schedule: Musée des Beaux-Arts de Lyon, Lyon, April 21–July 31, 2006
Wall texts and labels in museum exhibitions, often written in bland and impersonal prose, tend to obscure the voice of the curator. The exhibition Géricault: La Folie d’un Monde provides a glorious exception to the rule. Bruno Chenique, an independent scholar and author of numerous publications about Théodore Géricault, develops his thesis not only in the exhibition’s catalogue (which is often the venue reserved for more theoretical art history in the present museum climate) but also, refreshingly, in the thought-provoking, witty, and at times caustic wall texts, brochure, and audio guide commentary. As with any great curatorial eye, Chenique makes… Full Review
January 24, 2007
Thomas Crow, Branden W. Joseph, Paul Schimmel, and Charles Stuckey
Exh. cat. Los Angeles: Museum of Contemporary Art, Los Angeles, 2005. 317 pp.; 170 color ills.; 30 b/w ills. Paper $45.00 (0914357921)
Exhibition schedule: Metropolitan Museum of Art, New York, December 20, 2005–April 2, 2006; Museum of Contemporary Art, Los Angeles, May 21–September 11, 2006; Musée national d’arte moderne, Center Georges Pompidou, Paris, October 25, 2006–January 21, 2007; Moderna Museet, Stockholm, February 17–May 6, 2007
One of the first objects encountered upon entering Robert Rauschenberg: Combines at the Museum of Contemporary Art in Los Angeles was Satellite (1955). This modestly scaled Combine is composed of a sundry collection of materials including a pair of dirty cream-colored socks, two dainty discolored doilies, a strip of worn paisley sheet, sections of cardboard, paint-soaked comic strip broadsheets, and dripping, sensual passages of red, yellow, white, and blue oil paint. This mess of elements is topped off by a swaggering, taxidermied chicken caked in thick oil, who struts defiantly across the paint-encrusted upper ledge of the picture, his downward… Full Review
January 18, 2007
Macau Museum of Art
Exh. cat. Macau: Macau Museum of Art, 2006. 422 pp.; 300 color ills. MOP750.00 (9993754943)
Exhibition schedule: Macau Museum of Art, Macau, August 9–November 19, 2006
The Palace Museum, Beijing, the Shanghai Museum, and the Macau Museum of Art have collaborated again to produce a compelling exhibition. The present show follows earlier exhibits on Ba Da Shan Ren with Shi Tao (2004) and one dedicated solely to Dong Qichang (2005). The Macau Museum of Art is one of the premiere locations for exhibitions of art in south China and is the only museum devoted to art in Macau. The present show is under the direction of Chan Hou Seng, the museum’s curator of Chinese paintings and calligraphy. The magnificent artwork of Ming dynasty artists Xu… Full Review
January 11, 2007