Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello, eds.
Exh. cat. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2016. 432 pp.; 350 color ills.; 20 b/w ills. Cloth $65.00 (9780300215229)
Exhibition schedule: Philadelphia Museum of Art, Philadelphia, October 25, 2016–January 8, 2017; Museo del Palacio de Bellas Artes, Mexico City, February 3–April 30, 2017; Museum of Fine Arts, Houston, June 25–October 1, 2017
Marking the centenary of the Mexican Constitution (and some argue the end of the Mexican Revolution), the year 2017 is the occasion for many celebrations of Mexican art and culture. Paint the Revolution: Mexican Modernism, 1910–1950 offers a rare opportunity to see numerous exceptional examples of Mexican modern art, many loaned from private collections. The exhibition and its accompanying lavishly illustrated catalogue are collaborations between the Philadelphia Museum of Art... Full Review
December 5, 2017
Pilar Silva Maroto, ed.
Exh. cat. New York: Thames and Hudson, 2016. 400 pp. Paper $45.00 (9780500970799)
Exhibition schedule: Museo Nacional del Prado, Madrid. May 31–September 25, 2016
In summer 2016, on the five hundredth anniversary of Jheronimus Bosch’s death (ca. 1450–1516), the Museo Nacional del Prado staged an impressive, well-researched monographic exhibition on the highly original and imaginative Netherlandish artist. Curated by Pilar Silva Maroto, head of the departments of Flemish and early Spanish painting at the Prado, who also edited the hefty scholarly catalogue that accompanied the show, the exhibition provided a unique opportunity to view the majority of... Full Review
November 10, 2017
Jens Hoffmann and Claudia J. Nahson
Exh. cat. New York: Jewish Museum in association with Yale University Press, 2016. 224 pp.; 185 color ills.; 20 b/w ills. Cloth $50.00 (9780300212150)
Exhibition schedule: The Jewish Museum, New York, May 6–September 18, 2016; Deutsche Bank KunstHalle, Berlin, July 7–October 8, 2017; Museu de Arte do Rio, Rio de Janeiro, November 2017–March 2018
In presenting the work of Roberto Burle Marx (1909–1994), curators Jens Hoffmann and Claudia J. Nahson (with Rebecca Shaykin) and the Jewish Museum have expanded the range of exhibitions on architecture and design to include not only a designer from Latin America but one whose primary medium is the most difficult to capture and express museographically: modern landscape architecture. While the focus is on the landscapes he designed, Roberto Burle Marx: Brazilian Modernist shows that... Full Review
November 10, 2017
Henri Loyrette
Exh. cat. Melbourne: National Gallery of Victoria, 2016. 255 pp.; 309 ills. Cloth $55.00 (9780890901915)
Exhibition schedule: National Gallery of Victoria, Melbourne, June 24–September 18, 2016; Museum of Fine Arts, Houston, Texas, October 16, 2016–January 16, 2017
Degas: A New Vision offered a rare, broad, and true career-spanning retrospective of Edgar Degas (1834–1917), whose body of work was produced over the course of half a century, in a trajectory that made many twists and turns. Degas was an artist deeply rooted in the traditions of the Renaissance and the Academy yet also one of the most avant-garde artists of his era. His innovations in monoprint, for example, both as a unique medium and in conjunction with pastel, show an... Full Review
October 20, 2017
Edward H. Wouk, ed.
Exh. cat. Manchester: Manchester University Press, 2016. 240 pp.; 55 ills. Cloth £ 25.00 (9781526109569)
Exhibition schedule: The Whitworth, University of Manchester, UK, September 30, 2016–May 29, 2017
The exhibition Marcantonio Raimondi and Raphael celebrates the collaboration between the celebrated papal court painter Raphael Sanzio (1483–1520) and the lesser-known but respected Bolognese metal engraver and goldsmith Marcantonio Raimondi (ca. 1480–ca. 1534). Tracing the development of the close working partnership shared between artist and craftsman, the exhibition reveals how this unique relationship benefited both men in their chosen artistic fields. Marcantonio... Full Review
October 13, 2017
John T. Hill and Heinz Liesbrock, eds.
Exh. cat. New York: Prestel, 2015. 408 pp.; 50 color ills.; 350 b/w ills. Cloth $85.00 (9783791382234)
Exhibition schedule: Josef Albers Museum Quadrat Bottrop, Germany, September 27, 2015–January 10, 2016; High Museum of Art, June 11–September 11, 2016; Vancouver Art Gallery, October 29, 2016–January 22, 2017
Walking into the Walker Evans: Depth of Field exhibition at the High Museum, one encountered three distinct gallery spaces that effectively chart the path of Walker Evans’s (1903–1975) career from his early work to his last images. Although his Farm Security Administration (FSA) photographs form the core of the exhibition—pictures that document the effect of the Great Depression across the United States... Full Review
October 6, 2017
Alexandra Schwartz
Exh. cat. Oakland: University of California Press, 2015. 176 pp.; Many color ills. Cloth $44.95 (9780520282889)
Exhibition schedule: Montclair Art Museum, Montclair, February 8–May 17, 2015; Telfair Museums, Savannah, June 12–September 20, 2015; University of Michigan Museum of Art, Ann Arbor, October 16, 2015–January 31, 2016; Blanton Museum of Art, Austin, February 21–May 15, 2016
In asking how best to characterize and periodize the 1990s, Philip Wegner proposes the “counterintuitive asymmetry” of beginning the decade with the fall of the Berlin wall, an event “which is in fact an ending,” and ending with 9/11, an event which he positions as “the opening of the true post-Cold War global situation” (Life Between Two Deaths, 1989–2001: U.S. Culture in the Long Nineties, Durham: Duke University Press, 2009: 28). The “long 1990s” (1989–2001), Wegner surmises, was... Full Review
September 28, 2017
Sol Henaro, Mónica Mayer, Karen Cordero, Griselda Pollock, and et. al.
Exh. cat. Mexico City and Barcelona: MUAC-UNAM, Alumnos 47 and Editorial RM and RM Verlag, 2016. 272 pp. Paper Mex$ 300.00 (9786070251757)
Exhibition schedule: Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México, Mexico City February 6, 2015—July 31, 2016
It is rare when a retrospective exhibition centers on collective artistic production rather than the traditional focus on a singular (and most frequently male) artist. Si tiene dudas . . . pregunte: Una exposición retrocolectiva de Mónica Mayer / When in Doubt . . . Ask: A Retrocollective of Mónica Mayer, held at the Museo Universitario Arte Contemporáneo (MUAC) in Mexico City, successfully worked to highlight a pioneering figure in feminist art practice in... Full Review
September 20, 2017
Christine Van Assche and Clarrie Wallis, eds.
Exh. cat. London: Tate Publishing, 2016. 196 pp.; 250 color ills. Paper $47.00 (9781849763608)
Exhibition schedule: Centre Pompidou, Paris, June 24–September 28, 2015; Tate Modern, London, May 4–August 21, 2016; Kiasma Museum of Contemporary Art, Helsinki, October 7, 2016–February 26, 2017
Mona Hatoum is a potentially paradoxical example of the contemporary artist working on the international scene today: On the one hand, she embraces various media and aesthetics in a pared-down, Duchampian approach to material and conceptual-based practices. On the other hand, she is a Palestinian woman who was forced into exile in London due to civil unrest in the Middle East in the 1970s, and thus an artist whose life experience is anything but clean and neat. It might be easy to... Full Review
September 15, 2017
Emily Braun
Exh. cat. New York: Guggenheim Museum, 2015. 250 ills. Cloth $65.00 (9780892075232)
Exhibition schedule: Solomon R. Guggenheim Museum, New York, October 9, 2015–January 6, 2016; Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf, March 5–July 3, 2016
Alberto Burri (1915–1995) had an extremely successful career almost from the get go, and his work was widely exhibited during most of it. However, if over the past thirty or so years one wished to see work by Burri in the flesh, one needed to make strenuous efforts to do so, for example by going to the artist’s native Città di Castello in Italy where Burri established the Fondazione Palazzo Albizzini Collezione Burri in 1978, and subsequently placed late work on permanent display in the Ex... Full Review
September 15, 2017