- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
South America
Dissertations in Progress by Subject, 2021
Bassi Cendra, Giovanna, "Tectonics of Development: Mineral Extraction and the Architecture of the University-City in South America, 1945–1975" (Rice University, F. López-Durán, G. Hughes)
Borowitz, Maggie, "Caught by Surprise: Affect and Feminist Politics in the Art of Magali Lara" (University of Chicago, M. Sullivan)
Coudrelle, Maeve, "The Imprint of Hemispheric Exchange: The Bienal Americana de Grabado, 1963–1970" (Temple University, M. Alvarez)
Dacus, Chelsea, "Tiwanaku Metal Work and the Staging of Vision: An Analysis of the Metallurgical, Iconographical, and Contextual Characteristics of Middle Horizon Gold, Silver, and Copper" (Rice University, L. Costello, R. Koontz)
Ligmond, Katie Elizabeth, "Deliberate Confusion: the Role of Abstraction in Imperial Andean Textile Design" (University of California, Santa Cruz, C. Dean)
Menéndez Pereda, Alba, "The Sapa Inca Memory Pathways. Landscape of History in the Inca Heartland" (University of California, Los Angeles, S. Nair)
Plazas, Hugo, "The Image of Racialized Groups in Nineteenth-Century Colombian Costumbrista Paintings" (University of Alberta, B. Boone)
Querin, Camilla, "Dialectics of Malandragem: the Art of Resistance in 1960s–1980s’ Brazil" (University of California, Riverside, A. Le Blanc)
Ramos, Horacio, "Performances of Race: The Making of an Experimental 'arte popular' in Peru, 1960–1990" (Graduate Center of the City University of New York (CUNY), A. Indych-López, K. Manthorne)
Sadighian, David, "The World Is a Composition: Beaux-Arts Design and Internationalism in the Age of Empire, 1867–1914" (Harvard University , A. Payne, P. Del Real)
Sánchez Bataller, Daniel, "Post-Socialism in Chile and Spain: Critical Realism in the Art of Patricio Guzmán and Santiago Sierra" (University of Illinois Chicago, B. Stimson)