- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Multimedia/Intermedia
Dissertations in Progress by Subject, 2019
Croggon, Nicholas, "Reconstructing the Utopian Moment: Experimental Video Practices in the 1970s" (Columbia University, B. Joseph)
Ewé, Tobias, “Expanding the Limits of Sound (Art): Aesthetics on the Edge of Humanity” (The University of British Columbia, T. Smith)
Muci Barradas, Isabela, “The Polyphonic Forest: Photographing the Amazon, 1970-1989” (Princeton, A. McCauley and I. Small)
Murphy, Benjamin, “Fieldwork: Problems of Observation in Latin American Video” (Princeton, I. Small)
Piñon, Erin, “The Illuminated Yaysmawurk‘i:Ottoman-Armenian Painting and Confessionalism in the Age of Print” (Princeton, C. Barber and B. Kitzinger)
Shahi, Kimia, “Margin, Surface, Depth: Picturing the Contours of the Marine in Nineteeth-Century America” (Princeton, R. DeLue)
Stobaugh, Nathan, “New Media, New Masses: VALIE EXPORT’s Arts of Communication” (Princeton, B. Doherty)
Thomas, David, “Turn On, Tune In, Don’t Drop Out: The Cybernetic Environments of Pulsa” (Binghamton University, K. Hatch)
Whitworth, Christian, "Lettrism's Language Loss and the Disarticulation of the Avant-Garde" (Stanford University, P. Levi)
Yohalem, Hannah, “Movement and Arrest: Jasper Johns, 1954-1968” (Princeton, H. Foster)