- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
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- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video/Animation
Dissertations in Progress by Subject, 2019
Horisaki-Christens, Nina, “VIDEO HIROBA: Contingent Publics and Video Communication, 1966-1985” (Columbia University, J. Reynolds)
Kong, Carlos. “Queer Performances of Migration in German and German-Turkish Art and Film from West Germany through Reunification” (Princeton, B. Doherty)
Larson, Ellen “Time Zones: Contemporary Video Art from China, 1988-2019” (University of Pittsburgh, M. Gao)
Llorens, Natasha Marie, "Imagining Violence, Imagining the Nation: Algerian National Cinema between 1965 and 1979" (Columbia University, A. Alberro)
Marshall, Piper, "Ericka Beckman: Dreamwork and The Emergence of Pictures" (Columbia Univerisity, B. Joseph)
Mckee, Yates, “The Work of Art in the Age of Fossil Capital: Re-Tracing the Anthropocene in the Turner, Vertov, and Smithson” (CUNY-Graduate Center, C. Bishop)
McManus, William, “When we made movies just to make them': Warhol's films and the surface of the 1960s” (Princeton, H. Foster)
Murphy, Benjamin, “Fieldwork: Problems of Observation in Latin American Video” (Princeton, I. Small)
Park, Haeyun, “Electronic Esperanto: Trans-Pacific Development of Video Art, 1969-1991” (CUNY-Graduate Center, D. Joselit)
Shaskevich, Helena, “Specular Networks: Biopolitics and Feminist Video in 1970s America” (CUNY-Graduate Center, S. Wilson)
Stobaugh, Nathan, “New Media, New Masses: VALIE EXPORT’s Arts of Communication” (Princeton, B. Doherty)
Vickery, Jo, “Ethnographic Re-Telling: The Art of Lothar Baumgarten” (Princeton, H. Foster)