- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Africa
Dissertations in Progress by Subject, 2019
Barouti, Tina. “A Critical Chronology: The National Institute of Fine Arts in Tétouan from 1912 to the Age of Mohammed VI,” (Boston University, C. Becker)
Bell-Brown, Jessica, “Bad Attachments: The Unmoored Painterly Object in the Post Civil Rights Decade” (Princeton, C. Okeke-Agulu)
Cooney, Lynne, “The Transparent Glass Cabinet: Exhibiting African Art at the University of Witwatersrand, Johannesburg” (Boston University, C. Becker)
Forbes, Carlee S., "Art, Innovation, and Collecting in Colonia-Era Congo." (University of North Carolina at Chapel Hill, V. Rovine)
Heckscher, Marguerite, “Dancing People: Figurative Imagery, Movement, and Object / Body Interplays in Shambaa Mphungwa in Northeastern Tanzania” (University of Wisconsin-Madison, H. Drewal)
Lathrop, Perrin, “A Sublime Art: Akinola Lasekan and Colonial Modernism in Nigeria” (Princeton, C. Okeke-Agulu)
Liljegren, Dana, “L’art de la poubelle: Récupération and Politics of Trash in Senegalese Art, 1970-2010” (CUNY-Graduate Center, C. Bishop)
Montelongo, Daniela P, “A Modest and Hidden Complexity”: Landscape Photography During and After Apartheid” (The University of British Columbia, C. Soussloff)
Oldjira, Meseret, “Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280-1350” (Princeton, C. Barber and B. Kitzinger)
Villarroel, Fernanda, "Figurations of the Feminine in Contemporary Art from Lagos, Nigeria" (University of Wisconsin-Madison, J. Casid)
Wolff, Rebecca, “Experience and Memory: The Nigerian Civil War (1967–1970) and Its Effect on Nigerian Contemporary Art” (UCLA, S. Nelson)
Yingling, Erik, "The Metamorphic Image: Bodily Change and Identity in the Ancient and Medieval Artistic Imagination" (Stanford University, F. Barry)
Zhang, Michael, “The Business of Art: Art, Capital, and Identity in Late-Apartheid South Africa” (Princeton, C. Okeke-Agulu and A. Arabindan-Kesson)