- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Race/Ethnicity
Dissertations in Progress by Subject, 2018
Boyle, Brigid, “Visions of Black Masculinity: Jean-Léon Gérôme and the Orientalist Imaginary” (Rutgers University, S. Sidlauskas)
Castro, Maria, “Between Paris and São Paulo: Tarsila do Amaral’s Brasilidade” (University of Pittsburgh, J. Josten)
Chakravorty, Swagato, “Displaced Cinema: Moving Images and the Politics of Location in Contemporary Art” (Yale University, C. Buckley, F. Casetti)
Denison, James, “Their America: Race, Place, the Stieglitz Circle, and the Historiography of Modern American Art” (University of Michigan, R. Zurier)
Johnson, Lauren A., “'True Americanism': Images of Race and Citizenship in Ansel Adams's Photobooks, 1940–1960” (UIUC, T. Weissman)
Kaplan, Lauren, “Crossing the Atlantic: Italians in Argentina, 1880-1930” (Graduate Center, CUNY, E. Braun)
Lathrop, Perrin, “A Sublime Art: Akinola Lasekan and Colonial Modernism in Nigeria” (Princeton, C. Okeke-Agulu)
Lombard, Jacqueline, “Creating Images, Creating Race: Color, Form, and Racial Identity in Tenth through Thirteenth-Century Images” (University of Pittsburgh, S. Fozi)
Masterson, Caitlin, “Crafting Memory: Material Culture and Identity in Southern Monuments, 1861-1940” (Rice University, J. Manca)
Olya, Najee, “Constructing the African in Ancient Greek Vase-Painting: Images, Meanings, and Contexts” (University of Virginia, T.J. Smith)
Pushaw, Bart, “The Global Invention of Art: Race and Visual Sovereignity in the Colonial Baltic 1860-1915” (University of Maryland, S. Mansbach)
Schilaro Santa Rosa, Tatiane, “The Undoing of Celebrations: Art and the Myth of Racial Democracy in Brazil” (University of California, Santa Cruz, J. González)
Seltzer, Kylynn, “Housing Identities: Racial Anxieties in Paris, 1870-1892” (University of Pittsburgh, C. Armstrong)
Shea, Laura Elizabeth. “Photographs from the Road: Inge Morath, Sophie Calle, Sally Mann and Feminist Road Trip Vision” (UIUC, T. Weissman)
Tang, Jenny, “Genealogies of Confinement in Twentieth-Century American Art” (Yale University, K. Mercer)
Townsend, Phillip A., “Visualizing Displacement in the Black Atlantic: María Magdalena Campos-Pons” (The University of Texas at Austin, C. Smith)
Tyquiengco, Marina, “Articulating the Indigenous Self through the Body” (University of Pittsburgh, T. Smith)
Yasumura, Grace, “Invisible Men, Invisible Women: Labor, Race, and the (re)Construction of American Citizenship in New Deal Post Office Murals” (University of Maryland, College Park)