- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Fiber Arts and Textiles
Dissertations in Progress by Subject, 2018
Behan, Antonia, “‘The Brain of the Machine’: Ethel Mairet's Textile Laboratory” (Bard Graduate Center, P. Stirton)
Denney, Joyce, “The Story of Troy Finds a Home in Macau: A Set of Multicultural Embroidered Hangings of the Seventeenth Century” (Bard Graduate Center, F. Louis)
Dimmig, Ashley “Making Modernity in Fabric Architecture: Imperial Tents in the Late Ottoman Period” (University of Michigan, C. Gruber)
Dumont, Anna, “From Design Reform to Fascist Craft: Women and Italian Textile Production 1870-1945” (Northwestern University, R. Zorach)
Israel, Mei-Ling, “Circles, Bees, and Threads: Traditional Craft Communities and the Digital” (Bard Graduate Center, C. Whalen)
Johnson, Grant, “Sheila Hicks: Weaving to the World,” (University of Southern California, S. Hudson)
Keagle, Matthew, “‘An Uniform Is Granted by All to be Absolutely Necessary’: A Cultural History of Military Dress in the Revolutionary Atlantic” (Bard Graduate Center, J. Collins)
Lemmer-Webber, Morgan, “Women and Wool Working in the Roman Empire” (University of Wisconsin Madison, N. Cahill)
McMahon, Elizabeth, “‘Robes of Court and Palace’: Dress and Queenship at the Court of Henry VIII, 1509-1547” (Bard Graduate Center, A. Morrall)
Superfine, Molly, “Radical Touch: Performative Sculpture and Assemblage in the 1970s” (Columbia University, K. Jones)
Wargula, Carolyn, “Embodying the Buddha: The Presence of Women in Japanese Buddhist Hair Embroideries, 1200-1700” (University of Pittsburgh, K. Gerhart)