Theory/Historiography/Methodology
Dissertations Completed by Subject, 2017

Show in progress dissertations

Bedford, Joseph T., “Creativity’s Shadow: Dalibor Vesely, Phenomenology and Architectural Education (1968-1989)” (Princeton University, L. Allais)

Berkowitz, Elizabeth, “Bloomsbury's Byzantium and the Writing of Modern Art” (Graduate Center, CUNY, R. Long)

Chagnon, Katrie, «De la théorie de l'art comme système fantasmatique : les cas de Michael Fried et de Georges Didi-Huberman» (University of Montreal, O. Asselin)

Di Croce, Alessandra, “Sacred Fragments: The Reception of Christian Antiquity in Post-Tridentine Rome,” (Columbia University, H. Klein, D. Freedberg)

Duffy, Owen, “Art and Dematerialization, 1966-79” (Virginia Commonwealth University, R. Hobbs)

Gerspacher, Arnaud, “Posthumanist Animals in Art: France and Belgium 1972-87” (Graduate Center, CUNY, C. Bishop)

Jang, Sunhee, “Contemporary Art and the Search for History - The Emergence of the Artist–Historian” (UIUC, T. Weissman)

Kubo, Michael, “Architecture Incorporated: Authorship, Anonymity, and Collaboration in Postwar Modernism” (MIT, M. Jarzombek)

Lewis, Emma Stein, “Unfixing Space and Time in Contemporary Photography
How Porosity, Social Constructions of Space and Reenactment Produce Alternative Histories” (University of New Mexico, K. P. Buick)

Schmidt, Sebastian, “From Global War to Global Cities: Planning, Art, and Post-WWII Urban History in New York, Berlin, and Tokyo” (MIT, M. Jarzombek)

Silveri, Rachel, “The Art of Living in the Historical Avant-Garde,” (Columbia University, B. Joseph)

Smith, Laura Lake, “Imaging the In-Between: The Serial Art of Richard Tuttle” (University of Georgia, I. Wallace)

Viggiani, Daniela, «L’edizione dell’Abecedario Pittorico di Pellegrino Antonio Orlandi, aggiornata da Pietro Maria Guarienti (1753), una fonte per la storia dell’arte portoghese» (University of Montrela, L. Demoura-Sobral)