- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
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- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
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- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Photography
Dissertations Completed by Subject, 2017
Show in progress dissertations
Jang, Sunhee, “Contemporary Art and the Search for History - The Emergence of the Artist–Historian” (UIUC, T. Weissman)
Lebowitz, Anjuli, “Faith in the Field: The Art of Discovery in Auguste Salzmann’s Photographic Albums, 1854-1875” (Boston University, K. Sichel)
Lewis, Emma Stein, “Unfixing Space and Time in Contemporary Photography
How Porosity, Social Constructions of Space and Reenactment Produce Alternative Histories” (University of New Mexico, K. P. Buick)
McClellan, Meghan, “Visual Humor: Female Photographers and the Making of Modern American Womanhood, 1860-1915” (University of Missouri, K. Schwain)
Nolan, Erin Hyde “Ottomans Abroad: The Circulation and Translation of Nineteenth-Century” (University of New Mexico, K. P. Buick)
Ottoman Portrait Photographs Between the Ottoman and Euro-American Worlds” (Boston University, K. Sichel)
Voelker, Emily, “From Both Sides of the Lens: Anthropology, Native Experience & Photographs of American Indians in French Exhibitions, 1870-1890” (Boston University, K. Sichel)
Smucker, David, “Street Views: Automotive Vision and Postwar American Photobooks” (Stony Brook University, B. Belisle)
Talbot, Emily, “The Photographic Effect: Making Pictures After Photography, 1875-1905” (University of Michigan, S. Siegfried)
Wang, Han-Chih, “The Profane and Profound: American Road Photography from 1930 to the present” (Temple University, G. Silk)
Wilson, Leslie, “Past Black and White: The Color of Photography in South Africa, 1994-2004” (University of Chicago, J. Snyder)