- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
North America
Dissertations Completed by Subject, 2016
Show in progress dissertations
Bianco, Christine, “Modern Art for Middle America: American Abstraction in Mass Magazines, 1946–1960” (Oxford Brookes, E. Darling)
Franco, Joshua, “Marfa, Marfa: Minimalism, rasquachismo, and Questioning ‘Decolonial Aesthetic’ in Far West Texas” (Binghamton University, T. McDonough)
Hannah, Caroline, “Henry Varnum Poor: Crow House, Craft, and Design” (The Bard Graduate Center, P. Kirkham)
Kirschner-Perlstein, Melanie, “Arthur G. Dove: Illustrations and Abstractions: 1903–1933” (Virginia, E. Turner)
Klee, Jeffrey, “Building Order on Beacon Hill, 1790–1850” (Delaware, B. Herman)
Lentz (Reed), Alycia F., “Ready to Blow Your Mind: Andy Warhol’s Exploding Plastic Inevitable” (Iowa, C. Adcock)
McKelligan Hernández, Alberto, “Mónica Mayer: Translocality and the Development of Feminist Art in Contemporary Mexico” (CUNY, A. Indych-López)
Moon, Kavior, “From Site to Comparative Relations: Works by Michael Asher, 1976–1998” (UCLA, M. Kwon)
Palmor, Lauren, “Shadows and Light: Seeing Senescence in American and British Genre Painting, c. 1850–1910” (Washington, S. Casteras)
Parsons, Jennifer Stettler, “John Sloan: Between Philadelphia and New York, 1892–1907” (Virginia, E. Turner)
Reed, Emily, “Alexander Calder, Collaborative Abstraction, and Public Art” (Virginia, E. Turner)
Roland, S. Zelda, “Human Resources: The Body of the Extra in Classical Hollywood, 1925–1940” (Yale, T. Barringer; J.D. Connor)
Ronan, Kristine, “Buffalo Dancer: The Biography of an Image” (Michigan, D. Doris)
Schade, Jill Baskin, “Picturing Freedom’s Shores: The Visual Culture of Liberian Colonization, 1821–1861” (Virginia, L. Nelson)
Schiller, Emily, “Unsettled Masses: Public Transportation in the Art of New York City, 1929–1941” (Penn State, N. Locke)
Smith, Laura Lake, “Imaging the In-between: The Serial Art of Richard Tuttle” (Georgia, I. Wallace)
Truitt, Andrea, “Experiencing the Otherworldly: Magazine Reading and Illustrations of Orientalist Domestic Space in the United States, 1880–1920 (Minnesota, J. Marshall)