- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
500 BCE to 500 CE
Dissertations in Progress by Subject, 2018
Acquisito, Kiernan, “The Self-Conscious Kings: Intersecting Identities and the Representation of Power on the Figural Relief Sarcophagi from the ‘Aya’a Nekropolis, Sidon” (Boston University, R. Martin)
Arney, Jane, “Gleaming Cauldrons and Golden Offerings: Tripods and Memory in Greek and Roman Culture” (Emory University, B. Wescoat)
Burgess, Steven, “‘Conflagration and Consecration Funerary Pyres of the Roman Imperial Family from 138 to 235 CE” (Boston University, F. Kleiner)
Chen, Amanda, “Transition and Superstition: The Art and Experience of Roman Doorways” (University of Maryland, M. Gensheimer)
Cheng, Julianne, “Making the Ordered Cosmos: The Gigantomachy in Archaic and Classical Athenian Vase Painting” (Emory University, B. Wescoat)
Eckhardt, Ashley, “The Crafting of Cult Statues in the High Hellenistic Period” (Emory University, B. Wescoat)
Evitts, Diane, “Private Female Portraits: Patronage and Identity on the Greek Islands in the Roman Imperial Period” (Temple University, J. Evans)
Houseman, Justin Cody, “Roman Imperial Cinerary Urns: Production, and Display” (Emory University, E. Varner)
McCusker, Katherine, “Reanimating Etruscan Cities: Visualizing Vulci’s Landscape and Urban Context” (Duke University, M. Forte)
Muñoz, Carlos J., “The Apoxyomenos: Meaning & Context of the Athlete with a Strigil in the Greek and Roman World” (Boston University, R. Martin)
Patt, Rachel, “Meaning, Materiality, and Pothos in Late Antique Gold Glass Portraits” (Emory University, E. Varner)
Smagh, Hannah, “The Embeddedness of Religion in the Classical Greek House and its Consequences for Social Practice” (Princeton, N. Arrington)
Stavis, Jacob, “The Formation of Achaemenid Art: Beyond Iconography and Attribution” (Columbia University, Z. Bahrani)
Tafe, Jennifer, “Nikosthenes: Innovation and Identity in Late Archaic Vase Painting” (Boston University, R. Martin)
Yen, Alexandra, “The Door Motif in Roman Art: 80 BC to 235 CE” (Boston University, F. Kleiner)