- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video/Animation
Dissertations in Progress by Subject, 2015
Ahern, Mallory, “Flickers, Loops, Dots, Stacks, and Tracings: Cinematic Devices and the Technical Image, 1960–1975” (Yale, F. Casetti; C. Buckley)
Bucilla, Drew, “Europe: Expanded Cinema, Projection and the Film Co-op in Western Europe, 1966–1979” (CUNY, D. Joselit)
Chan, Yenna, “Narrating Montreal: Critiques of Urban Renewal in the 1970s through Exhibition and Documentary Film” (Bard Graduate Center, D. Jaffee)
Dootson, Kirsty, “Industrial Color: Chromatic Technologies in Britain (1856–1971)” (Yale, T. Barringer; K. Trumpener)
Hansen, James, “Nostalgic Media: Histories and Memories of Domestic Technology in the Moving Image” (Ohio State, K. Paulsen)
Hartnett, Gerald, “Recorded Objects and Couterauras: Art, Technical Reproducibility, Cybernetics, 1952–1962” (Stony Brook University, A. Uroskie)
Jacobson, Ann, “Strange Visions: The Art of Björn Melhus” (Ohio State, K. Paulsen)
Jakubowski, Dan, “Analog Constellation, Digital Assemblages: Contemporary Egyptian Video Art and the Politics of Modernity” (Florida, V. Rovine)
Kauffman, Alexander, “‘Faire un Cinéma’: Film and the Art of Marcel Duchamp” (Pennsylvania, C. Poggi)
Larouche, Peggy, “Cinéphilie, infirmité et les allégories de défiguration dans The Saddest Music in the World de Guy Maddin” (Université de Montréal, A. Habib)
Lescher, Mery-et, “The Little Studio That Could: Walt Disney Feature Animation’s Florida Studio” (Florida State, R. Neuman)
Llorens, Natasha, “Imagining Violence, Imagining the Nation: Algerian National Cinema between 1965 and 1979” (Columbia, A. Alberro)
McManus, William, “‘When We Made Movies Just to Make Them’: Warhol’s Films and the Surface of the 1960s” (Princeton, H. Foster)
Mericle, Robyn, “Silent Westerns: Before the Endless Miles of Wind and Sand and Sky” (UIC, H. Higgins)
Polonyi, Eszter, “Writing as Apparition: Béla Balázs’s Media Theory” (Columbia, N. Elcott)
Rochester, Katherine, “Animating Ornament: From Lotte Reiniger’s Silhouette Films toward a Theory of the Decorative in Animation” (Bryn Mawr, C. Hertel; K. Beckman)
Roland, S. Zelda, “Hollywood Stockyards: People and Places in the Background of Classical Hollywood” (Yale, J. D. Connor)
Sarvé-Tarr, Marin, “Seizing the Everyday: Lettrist Film and the French Postwar Avant-garde, 1946–1954” (Chicago, C. Mehring)
Schmenner, William, “How to Hit the Ground: Habits of Seeing Motion in 1920s Slapstick Comedy” (Pennsylvania, K. Beckman)
Tuite, Rebecca, “Nightwear in Hollywood Film and Television and the United States Nightwear Industry, 1945–1977” (Bard Graduate Center, C. Whalen)
Werther-Rosenow, Barbara, “Communicative Strategies in Contemporary Video Art” (Rutgers, T. Flores)