- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Central America and Caribbean
Dissertations in Progress by Subject, 2015
Almeida, Laura Freitas, “Resisting Memory: Anti-Imperialist Tactics of Forgetting in Contemporary Art” (Penn State, S. Rich)
Bogansky, Amy, “The Merchant’s Middlemen: Factors, Supercargoes, and the Praxis of Exchange in the Early Modern Atlantic World” (Bard Graduate Center, D. Jaffee)
Fuentes, Elvis, “Bowling for Moscow: Cuban Art and Soviet Visual Culture, 1959–1991” (Rutgers, T. Flores; J. Sharp)
Hyman, Aaron M., “Rubens in a New World: Prints, Authorship, and Transatlantic Intertextuality” (UC Berkeley, E. Honig)
Moore, Nikki, “Agritectures of the Green Revolution: Architecture, Art, and the Agrilogistics of Transnational Aid from the United States to the Caribbean Region, 1930–1978” (Rice, F. Lopez-Duran)
Newman, Rachel Grace, “Conjuring Cane: Visualizing Power on Caribbean Sugar Plantations and the Art of William Berryman” (Stanford, B. Wolf)
Rose, Diana, “Living Time, Performing Memory: Maya Ceremonies of Foundation and Renewal” (UC Santa Cruz, C. Dean)
Reinoza, Tatiana, “Latino Print Cultures in the US, 1970–2008” (Texas, Austin, C. Smith)
Serrano, Blanca, “Between Limit and Possibility: Reflections on the Visual Culture of Recycling in 1990s Cuban Art” (IFA/NYU, E. Sullivan)
Thomas, Tashima, “An Imperial Diet: From Cacao to Coconuts–Representing Edible Bodies in the Americas from the Eighteenth Century to the Present” (Rutgers, T. Flores)