- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Drawings/Prints/Works on Paper
Dissertations Completed by Subject, 2013
Show in progress dissertations
Anderson, Ash, “Moving Pictures: Motion and Time in Photography at the Institute of Design” (Yale, D. Joselit)
Aube, Christina, “Michel de Marolles and the Rise of Printmaking in the Grand Siècle” (Delaware, D. Stone)
Harris, Mazie M., “Inventors and Manipulators: Photography as Intellectual Property in Nineteenth-Century New York” (Brown, D. Nickel)
Kim, Jennie, “Tradition, Theory, and Practice: Drawings in the Italian Renaissance Workshop, from Pietro Perugino to the Pupils of Raphael” (CUNY, J. Saslow)
Letwin, Hilary Hunt, “‘Old in Substance and New in Manner’: The Scultori and Ghisi Engraving Enterprise in Sixteenth-Century Mantua and Beyond” (Johns Hopkins, S. Campbell)
Oehlrich, Kristen, “Becoming Walker Evans: Photography, Literature, and Transnational Modernism, 1926–1938” (Brown, D. Nickel)
Ramirez, Enrique, “Airs of Modernity, 1881–1914” (Princeton University School of Architecture, E. Eigen)
Robbins, Carrie, “Credulous Spectatorship from Zeuxis to Barthes” (Bryn Mawr, S. Levine)
Roscio, Jessica, “Photographic Domesticity: The Professionalization of Women Photographers from Home Studio to the Metropolis, 1880–1930” (Boston, K. Sichel)
Steinhilper, Diantha, “Geographies of a World In-between: Colonial Maps of Mesoamerica that Define Identity, Image Empire, and Negotiate Self” (Florida State, M. Carrasco)
Suchma, Sharon, “Binding Lives: American Photo-Books and the Great Depression” (CUNY, G. Batchen)
Teshima, Yuko, “Provoke: A Critical Analysis of a Japanese Photography Magazine” (CUNY, G. Batchen)
Weiss, Sean, “Photographs for the Modern City: An Enterprise in the Urban Transformation of Second Empire and Early Third Republic Paris” (CUNY, K. Murphy)
Yi, Hyewon, “Photographer as Participant Observer: The Photographs of Larry Clark, Nan Goldin, Richard Billingham, and Nobuyoshi Araki” (CUNY, G. Batchen)