- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Native American
Dissertations in Progress by Subject, 2011
Archuleta, Margaret, “Against the Odds: The Career of Santa Clara Painter Pablita Velarde” (University of New Mexico, J. Szabo)
Askren-Dangeli, Mique’l, “‘Dancing on Tears’: Northwest Coast First Nations Dance and Performative Practices” (University of British Columbia, C. Townsend-Gault)
Dueker, Christopher, “Alex Janvier: Narrativity, Mnemonics, and Oral Tradition in Private and Public Spheres” (Columbia, E. Hutchinson)
Crosby, Marcia, “Urban Aboriginal Cultural Production: A Dialogue between Representations and the Imaginary, and Historical Facts and Experience” (University of British Columbia, C. Townsend-Gault)
Navratil, Emily Schuchardt, “Native American Chic: The Marketing of Native Americans in New York between the World Wars” (CUNY, J. Sund)
Redcorn-Miller, Marla, “Renegotiating Community Boundaries: Kiowa Painting in the First Half of the 20th Century” (Columbia, E. Hutchinson)
Ronan, Kristine, “Buffalo Dancer: The Biography of an Image” (Michigan, R. Zurier)
Ruud, Brandon, “Beneath the Surface: The Aesthetic and Ideological Appropriation of Native American Artwork during the Arts and Crafts Period” (UIC, E. Baird)
Warren, Erica, “Munthe’s Myths: Designing a Norwegian Nation in Decorative Art” (Minnesota, G. Weisberg)
Watson, Mark, “Diplomatic Aesthetics: Globalization and Contemporary Native American Art” (Columbia, E. Hutchinson)