- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Critical Theory/Gender Studies/Visual Studies
Dissertations Completed by Subject, 2011
Show in progress dissertations
Antoncic, Debra, “Oddballs and Eccentrics (les hirsutes et les excentriques): Art and Artists in the Popular Press in Post-War Canada” (Queen’s, Kingston, L. Jessup)
Cahill, Susan, “Contested Terrains: Visualizing the Nation within Global Military Conflicts” (Queen’s, Kingston, L. Jessup)
Geppert, Melissa, “Favela Effects: Brazilian Art at the Intersections of Community Development and Global Markets” (Minnesota, J. Blocker)
Grey, Anne, “The Collector as Arbiter of Art: A Phenomenological Investigation of Collectors’ Critical Judgment Development and Their Understanding of Art Toward a Theoretical Model for Appreciation and Criticism in Art Education” (University of Central Florida, T. Brewer)
Hill, Jason, “Artist as Reporter: The PM News Picture, 1940–1948” (USC, R. Meyer)
Houser, Craig, “The Politics of Scholarship: College Art Association and the Uneasy Relationship between Art and Art History, 1911–1945” (CUNY, P. Mainardi)
Holtzman, Dinah, “Portrait of the Postmodern Artist as Hysteric” (Rochester, J. Saab)
Jones, Zoë Marie, “A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909–1914” (Duke, M. Antliff)
Khosrowjah, Hossein, “Unthinking the National Imaginary: The Singular Cinema of Abbas Kiarostami” (Rochester, S. Willis)
Leung, Godfrey, “The White Wall in Postwar Art: The Aesthetics of the Exhibition Space” (Rochester, R. Haidu)
Mann, Nicola, “The Death and Resurrection of Chicago’s Public Housing in the American Visual Imagination” (Rochester, J. Saab)
Nettleton, Taro, “Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Japanese Underground Art of the 1960s” (Rochester, D. Crimp)
Oliver, Lisa, “Artful Visions: Aesthetic Possibility and Social Transformation in Zizek, Hardt and Negri, Foucault, and the New Relational Art” (Brown, D. Neumann)
Pass, Victoria, “Strange Glamour: Fashion and Surrealism in the Years between the World Wars” (Rochester, J. Berlo)