- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Performance Studies
Dissertations in Progress by Subject, 2010
Albu, Cristina, “Mirror Affect: Collective Spectatorship in Contemporary Installation Art” (Pittsburgh, T. Smith)
Dees, Janet, “The Evidence of Things Not Seen: Performance Art as Art History” (Delaware, A.Gibson)
Ming, Leta, “Curating as Performance: Tom Marioni and the Museum of Conceptual Art, 1968–1979” (USC, R. Meyer)
Myers, Cerise, “The Visible Posthuman: Envisioning Agency for the Cybernetic Self in Digital Culture” (Minnesota, J. Blocker)
Oh, Gyung Eun, “Music and Time: Relation of Nam June Paik’s Early Works to Video Art” (Rutgers, A. Zervigón)
Pezolet, Nicola, “Spectacles Plastiques: Reconstruction and the Debates on the ‘Synthesis of the Arts’ in France, 1944–1962” (MIT, C. Jones)
Stanek, Damon, “Seeing the Light: A History of the Projected Image in the Gallery (1963–Present)” (CUNY, C. Bishop)
Weil, Harry Jacob, “The Ghost of Performance Art Past: Re-performance in 20th-Century and Contemporary Art” (Stony Brook University, Z. Patterson)