- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video
Dissertations in Progress by Subject, 2010
Anderson, Michael, “The Early Howard Hawks: The Director and His Films, 1926–1936” (Yale, A. Nemerov, C. Musser)
Barada, Nina, “Élégies cinématographiques” (Université de Montréal, M. Garneau)
Birk, Stacey, “Movies, Modernity, and the American Middle: Early Cinema’s Extra-Urban Context and Function” (UC Irvine, K. Hatch)
Chan, Yenna, “Narrating Montreal: Critiques of Urban Renewal in the 1970s through Exhibition and Documentary Film” (Bard Graduate Center, D. Jaffee)
Culler, Jeremy, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (SUNY Binghamton, J. Tagg)
Fouladi, Shahriar, “Super Savior/Destroyer: Superman, Smallville, and the Superhero Genre’s Specter of Monstrosity” (UC Irvine, C. Whiting)
Gosse, Johanna, “Fallout Films: Bruce Conner, Found Footage, and Cold War Culture, 1958–1982” (Bryn Mawr, H. King)
Green, Kate, “Vito Acconci, 1970–1974: Performative Video Art and Encounters in America’s Psychotherapeutic and Televisual Cultures” (UT Austin, A. Reynolds)
Greenhough, Alexander, “We Are All Alone: Solitude and the Problem of Subjectivity in Italian and French Cinema of the 1950s and ‘60s” (Stanford, P. Levi)
Hollenberg, Sarah, “Art On Television, 1967–1974” (USC, R. Meyer)
Jakobsen, Kiersten Cray, “Montage Subsumed: From the Eastern Bloc to the Brezhnev Years, Modalities of the Long Take, 1956–1986” (Stanford, P. Levi)
Joly-Corcoran, Marc, “La cinéphanie et sa réappropriation: L’«affect originel» et le spectateur néoreligieux, L’exemple des fanfilms de Star Wars” (Université de Montréal, B. Perron)
Larouche, Peggy, “Pour une cinéphilie cathartique: le cinéma de Guy Maddin” (Université de Montréal, O. Asselin, André Gaudreault)
Lesh, E. Todd, “An Angry Prophet: Religion and Politics in the Dramatic Satire of Paddy Chayefsky” (Graduate Theological Union, M. Morris)
Levavy, Sara Beth, “Immediate Mediation: A Narrative of the Newsreel and the Film” (Stanford, S. Bukatman)
Lindsay, Richard, “Camping in the Promised Land: Queer Readings of American Biblical Film” (Graduate Theological Union, M. Morris)
McManus, William, “‘When we Made Movies Just to Make Them’: Warhol’s films and the surface of the 1960s” (Princeton, H. Foster)
Muller, Gabriela, “Abstraction on the Move: Medium, Motion, and Time in the Absolute Film” (Stanford, S. Bukatman)
Musial, Kimberly, “Tortured Viewing: Examining Toulouse-Lautrec’s Au cirque Series (1899) through the Lenses of Sadomasochism and Film” (Penn State, N. Locke)
Navarro, Rudy, “Film Genealogies of Early Video Art” (Stanford, P. Lee)
Oh, Gyung Eun, “Music and Time: Relation of Nam June Paik’s Early Works to Video Art” (Rutgers, A. Zervigón)
Parker, James Ryan, “Ministers of Movies: Sherwood Pictures and the New Christian Cinema” (Graduate Theological Union, M. Morris)
Proctor, Jacob, “Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere” (Harvard, Y-A. Bois, B. Buchloh)
Suchenski, Richard, “Utopian Romanticism and the Poetics of Scale: Modernist Explorations of the Cinematic Long Form” (Yale, D. Andrew)
Tsen, Hsuan, “Spectacles of Authenticity: The Emergence of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman)
Werther-Rosenow, Barbara, “Communicative Strategies in Contemporary Video Art” (Rutgers, T. Flores)
Williams, Alena, “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1915–30” (Columbia, J. Crary)