- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Latin American/Caribbean Art
Dissertations Completed by Subject, 2007
Show in progress dissertations
Barteet, C. Cody, "Colonial Contradictions in the Casa de Montejo and Mérida, Yucatán: Space, Society, and Self-Representation at the Edge of Viceregal Mexico" (SUNY Binghamton, K. Barzman)
Brice, Leslie, "Nou La, We Here: Remembrance and Power in the Arts of Haitian Vodou" (Maryland, College Park, S. Promey)
Buono, Amy, "Feathered Identities and Plumed Performances: Tupinambá Interculture in Early Modern Brazil and Europe" (UC Santa Barbara, J. Peterson)
Cordoba, James, "Mexico's Crowned Virgins: Visual Strategies and Colonial Discourse in New Spain's Portraits of Crowned Nuns" (Tulane, E. Boone)
Elphick, Nenita Ponce De Leon, "Memory, Presence, and Power: The Social Life of Portraits in Peru" (Harvard, T. Cummins)
González-Andrieu, Cecilia, "García Lorca as Theologian: The Method and Practice of Interlacing the Arts and Theology" (Graduate Theological Union, A. García-Rivera)
Hajovsky, Patrick, "On the Lips of Others: Fame and the Transformation of Moctezuma's Image" (Chicago, T. Cummins)
Miner, Dylan, "With Our Hearts in Our Hands and Our Hands in the Soil: Aztlán as Utopic Space in Chicano/a Art and Visual Culture" (University of New Mexico, H. Barnet-Sanchez)
Pozzi-Harris, Ana Jorgelina, "Peronism and Abstract Art in Argentina, 1943–1945" (UT Austin, J. Barnitz)